Ian Linter:Scanner Biosdor:28/06/2021:pG

« Electromagnetic radiation emitted by nuclear reactions of two perpendicular waves, one electric and one magnetic, propagating at the speed of light. »

La Société de Curiosités, A Stranger Paradise and Classwar Karaoke present

Octaèdre Resonant

an octet in two movements for electro-acoustic instruments, guitars, bass, prepared chamber, effects pedals, machinery, electronics, tapes, monotron, goyamoog, kaossilator, objects

With Adrian Beentjes, Anton Mobin, Ayato, Colin Johnco, David Cunliffe, Hopek Quirin, Ian Linter, Murmurists, Thomas Fernier

Recorded Live at Les Voûtes – Paris – 21st April.

Concept by Ian Linter.

Produced by Ian Linter & Joséphine Muller.

Photos by Anton Mobin, Lysvia Maïz and Chloé B. Video by Chloé B.Special thanks to Eric Périer (La Société de Curiosités) and Remi Gros (Les Voûtes).
http://instantnet.wordpress.com
http://lesvoutes.org

Murmurists (Anthony Donovan) (uk)

Artist, musician, writer, composer, working solo as Murmurists. Improviser – with Vultures Quartet, Familiars, Donovan/Graham, and others. Member of Lux P0G0 and the.clinamen. Ardent collaborator. Co-founder of Classwar Karaoke with Jaan Patterson and Adrian Beentjes. Erstwhile academic. Born North West England; now Middle-England. Mid40s; moderately-healthy. Interests all either obscure or intentionally opaque, but morally authentic.

Fretless half-guitars, Goyamoog, Objects

http://murmurists.blogspot.com
http://vulturesquartet.com
http://classwarkaraoke.com

Adrian Beentjes (usa)

Born in 1973 in Philadelphia, USA. He lives with his family in the north-west England. Obsessed with sound​​, his passion draw upon the exploration of soundrecording, mixed / multi-media, performance and unrecordism. He leads the collective Classwar Karaoke with Anthony Donovan and Jaan Patterson and currently produces sound works under the project named Deadzoo.

Pickup, pickup coil, circuit bent toys, Field Recording, Microcassette, dc motors …

http://youtube.com/nadazipp
http://classwarkaraoke.com

Hopek Quirin (de)

Musician, objector, member of AADK, working with 6 or 7, abq, jochen arbeit’s soundscapes, classwar karaoke, madzaru etc.

Bass, Effekt pedals, Objects

http://myspace.com/hopekquirin
http://classwarkaraoke.com

Ian Linter (pt)

Electro-organic immediatism in any possible structure through a real-time feedback series of necessary events, expressed since the early 90’s on distinct anti-aesthetics with names like OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique with Joséphine Muller, Plasma, RTP, among others.

« Non musika Excentrica IN! For electronikal renoise Key. Submit Random Science & reduction. Overflow cast Numar is for Den emon exp & la mort pour Vitas body convolution. »

Electronics, ohmed guitar

http://astrangerparadise.com/ianlinter
http://astrangerparadise.com/offbruma
http://pganza.com

Anton Mobin (fr)

Radio producer, sound artist and improvisator. He develops an intuitive, energetic music and done wonders for the self-confidence by any elitist codes which the improvised music. Anton Mobin multiplies the meetings with numerous international artists on stage and during his home radio show « A Maïzing session with… » on the webradio KKWNE.
Curator of the Improvisator Network and of the label H.A.K. Lo-Fi Record.

Prepared Chamber, Microphones, Objects, Electronics

http://antonmobin.blogspot.com
http://maizingsessions.blogspot.com
http://h.a.k.free.fr

Ayato (fr)

Musician, guitarist, do-it-yourselfer, composer of a dense and complex high-jacking music. One of the most active members of the collective H.A.K with a considerable production published on the label H.A.K. Lo-Fi Record. Part  of  Crash  Duo,  Cluedo  Krew,  Polymagoo  Commando, Thanato Twist with  Oleg’s  Sound System. Ayato  also  develops  a  particular  dialogue  with  Image  during  live  soundtracks  and  with  the photographer Malik Nejmi.

Prepared Guitar, Objects, Cassettes

http://ayato-sn1984.blogspot.com
http://h.a.k.free.fr

Thomas Fernier (fr)

Musician, composer, working solo (Chevo Légé), in duo (Marteau Mu, tvlasunor & Thomas Fernier) Part of the collective of improvisation “ Supersoft [14-18] ” (label : Partycul System) and of “Poésie  Is  Not  Dead” (collective  of  improvised  sessions  with  poets,  musicians  and  video directors). Realisation of soundtracks for des bandes-son for the theater and the dance (Benoît Bradel, Tomeo Verges)

Prepared Guitar, jack

http://myspace.com/thomasfernier
http://myspace.com/chevolege

Colin Johnco (fr)

Musician  and  sound  designer  based  in  Paris,  France.  In  late  2006,  he  created  LEEP (Les Enregistrements de l’Europe Parisien) then CJC records, both independent net-labels favoring ambient and experimental electronic music. Colin Johnco is currently playing in different bands such as FareWell Poetry, DR(DR)ONE and Prison Food Sucks.

Closed analog circuit

http://colinjohnco.com

David Cunliffe (uk)

Mainly drummer/percussionist with long history of playing in a wide variety of groups. Also interested in writing and recording solo music Member of YMMV, an experimental / avant-garde project with Adrian Beentjes. Originally only drummer, he now plays  extending percussion/electronics/sequences and effects processing with some vocal elements. He appeared on the CWK series as a solo artist (Igorspacieuse blouse/coffin Boffin) and as a member of The ThudExperiment, « Turso iku ». Photography and cinema are his interests.

Percussion, Electronics, Contact Microphones, Vocal emissions

http://archive.org/details/BlankCanvasem153

Classwar Karaoke

Operated by Adrian Beentjes (usa-uk), Anthony Donovan (uk) and Jaan Patterson (de), Classwar Karaoke is based around a series of ongoing quarterly surveys. Each act contributes a piece of music or film, an image, and a piece of writing.

As a project, classwar karaoke is based around a series of ongoing, quarterly surveys, the first of which, dubbed ‘0001 survey’, was released in May 2008. Each survey is different – in terms of personnel, number of personnel, and in terms of theme. Participation is fairly open – so long as those interested in being involved work intelligently within the broad context of experimental music and do not seek to use the project as just another on-line shop-window for their material. So far, the inclusive nature of classwar karaoke has worked wonderfully-well in terms of quality of material. See and hear for yourself by checking out our internet archive pages. Indeed, the label itself was envisaged, from the very start, as an experiment in the positive power which inclusivity can have upon artworking if included in meaningful ways. That said, we reserve the right to maintain the quality of both the art which is offered and the community from which it comes. Our ambitions for the label do not stop at periodic on-line releases. In the short time it has been running, we have already had  one  classwar  karaoke  live  showcase;  which  featured  as  0005  survey.  More  events  are  planned. Similarly, physical releases – of CDRs and DVDs – are forthcoming.

All material remains the property of the respective artists and is offered for free download in line with this license. The nine surveys published so far feature almost one-hundred artists, from all over the world; and the material in toto represents significant documentation of the experimental scene itself. Involvement in the project has helped spawn many fruitful collaborations, live-shows and a vibrant exchange of ideas; so much so that, for several repeat-participants, Classwar Karaoke is as much a collective as it is a mechanism for the release of new material.

http://classwarkaraoke.com
http://myspace.com/classwarkaraoke
http://archive.org/details/classwar-karaoke
http://classwarkaraoke.bandcamp.com/
http://ilike.com/artist/classwar+karaoke
http://last.fm/label/CLASSWAR+KARAOKE
http://reverbnation.com/label/classwarkaraoke

La Société de Curiosités

Dans l’enjeu actuel d’un choix d’orientation culturelle collective à grande échelle vers la croyance ou bien vers l’intelligence, le projet Infact Paris/La Société de Curiosités, en engageant les pratiques de production et d’écoute dans des échanges plus divers et moins normés, emprunte des voies possibles. Il propose des façons de faire des nouveaux partages, d’autres configurations de places pour donner libre cours à des pratiques artistiques inhabituelles et transformer leur abord en une activité.

http://instantnet.wordpress.com

A Stranger Paradise

L’association A Stranger Paradise a été créée en 2009 et a comme objectif la création et la dynamisation culturelle sous toutes ses formes, dans une logique d’expérimentation multi-disciplinaire et d’échange.

http://astrangerparadise.com
http://pganza.com

The consecration concert of Tina Blue and her Big Band, celebrated on the 31st of October 2011, a rare occasion for her fans spread all over the world to share the myth of this all-time exponent of the Big Band Jazz.

Anthony Donovan & Ian Linter – Amplex, Onomatopoetry

A Live Transmission with Anthony Donovan and Ian Linter applying abstractions from different locations: United Kingdom and France. An absolute act of improvisation after the render Myth & recording passion for Lodovico Series 9. Recorded Wednesday, number 19/10 in 2011.

Anthony Donovan (Murmurists)

Artist, musician, writer, composer, working solo as Murmurists. Improviser – with Vultures Quartet, Donovan/Graham, and others. Member of Lux P0G0 and the.clinamen. Ardent collaborator. Co-founder of Classwar Karaoke. Erstwhile academic. Born North West England; now Middle-England. Mid40s; moderately-healthy. Interests all either obscure or intentionally opaque, but morally authentic.

// Zither – with contact mic and guitar pick-up, homemade light-sensitive analogue synthesiser (made by Adrian Beentjes), digital synthesiser, 4 string electric bass, 6 string acoustic guitar, loop station, digital delay, analague flanger, digital multi-effects, distortion, mini-amp/speaker with contact mic, electric toothbrush, electric fan, cello bow, objects, balloons, radio, microphone, walkie-talkie (x 2), glass slide, crocodile clips //

http://murmurists.blogspot.com

Ian Linter

Electro-organic immediatism in any possible structure through a real-time feedback series of necessary events: OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique with Joséphine Muller, Plasma, RTP… Ian Linter turns the third axis created by Bórgia Ginz and mirrored by Juca Pimentel.

« Non musika Excentrica IN! For electronikal renoise Key. Submit Random Science & reduction. Overflow cast Numar is for Den emon exp & la mort pour Vitas body convolution. »

// Sampler N and generator 23 for chroma in multi domains, pad OFF multi, effects Zoomer for bleed interference, controlled mic, ohmed guitar, pG guitar, can 2d, can 4, can 9, ohmed flute, screws 23# and zen#a, meta-Artaud, surfaces A – D //

http://astrangerparadise.com/ianlinter

Le Placard Headphone Festival

August 26st Last_Generale, Sèvres, France – the return of the 72 hour Paris open slot. It will also be the last event in La Generale en Manufacture. Le Placard started in 1998 in Paris, France. At that time finding venues for alternative music was difficult, and police raids on unlicensed events were frequent. So instead Erik Minkkinen organised a headphone party in his small apartment, called ‘placard’ after the French word for ‘cupboard’.

Since then this concept has grown to an international streaming festival, with tens of cities providing listening rooms for local and remote performances. Placard has formed part of the Mutek, Transmediale, Garage and Pixelache festivals. The event in Paris has itself grown into an institution, running for 72 hours straight where the audience sleep with their headphones on, still listening.

With:

xo54, c_c_c_c, Jeunesse Interlope Football Club, Vanessa Paradigme, Emmanuelle Gibello + Erin Sexton, Etienne Brunet, e_rebus, Frédéric Maintenant, Planetaldol, Stefaan Quix, spinzero, drone à clochettes, Toutils, the gerries, Julie Rousse, Lost Forgotten, Jean Bender, 10Konekt, cdrikcroll, ITSY AS EVIL, Cogne et Foutre, Fashion Garage Concerto, inc + guests & ghosts, Talk City, EDEN SUICIDE RESORT, usr/sbin, hiroyuki, Forgotten Beat, StruKtur, grinning, DongleDoc, LDB Armstrong & Die Karlheil Gruppe, Anton Mobin & Juca Pimentel, CASSE GUEULE, Extrasystole, Juca Pimentel, JOACHIM MONTESSUIS, ANTON MOBIN, Stefaan Quix, VEhF, David Fenech, Nicolas Carras, La Main Traumatique (Ian Linter + |Joséphine Muller|), B.I.A.S, Erik Minkkinen , VODKA+MEAT (BOLUS+MONTESSUIS), OLoF NiNe (Ian Linter), MaCu, Yro, hiroyuki, Jean Foutre Cogne Bender, eddie135, Luckyr, Jack_ledevehat, Christine Webster, Kikiilimikilii, KGP trio, The pRésidents, feu machin, Avril Wipago/Alexandre Bellenger/Fred Marty, CASSE GUEULE, dan.digital, Zreen Toyz, MessHerpe, hiroyuki, STE-EXPERIENCES. Gargouillax, Erik Zann, Berangere Maximin & Colin Johnco

Complete Placard here:
http://leplacard.org/2011/Last_Generale/

Luís Antero’s latest project named Out Level consists of a laptop, electric prepared guitar or field recordings. Having had 7 releases in several netlabels around the world, it is a project composed of many sounds from one lone man. Luís is originally from a small village at the foot of the Serra da Estrela Mountain range in Portugal where his musical influences fuse with his philosophical views as well as literary references.

« To discover Out Level is undoubtely an experience. More enjoyable for ones, less for otherones, all this sound universe touch us in the way as it interwines all a variety of aesthetic languages, that walk from a sight more close to indie and shoegazze, to all a universe of field recordings and idm, with a close contact to the new tendries of all the electronic music of germain alternative circuits […] » Tiago Morgado | XS Records

« O projecto Out Level nasceu da vontade de experimentar… de improvisar, tendo os livros, o cinema e a fotografia como cenários primordiais para a criação musical, a que se juntou mais tarde o universo da fonografia. O objectivo (se é que existe) é criar ambientes que consigam projectar o ouvinte para lá do mero exercício de ouvir música… Quase tudo é gravado ao primeiro take, partindo de uma velha premissa que Kerouac usava em relação à escrita. Só assim se deixa na música o momento…

Discografia

Delay – Guitar Solo # 4 (biodata, 2010)
Strange Sounds Could Make a Man Happy (Just not Normal, 2010))
10 (prepared guitar solo live) (Electro Rucini, 2010))
Merzbau EP Guitar Solo (MiMi, 2009))
sx guitar ep (Test Tube, 2009))
Guitar Solo # 2 (EdP, 2009))
PrEgUiZzA (Electro Rucini, 2008))
Water Recordings (Bypass, 2008))
Estrela EP (XS Records, 2008))
K – EP (edição de autor, 2008))
Espaço (I)Limitado – Ao Vivo na Zero (Merzbau, 2007))
The Bedroom Sessions, Vol. 1 (Merzbau, 2006)

Author: Out Level (PT)

Home production: February 2011
Original photo: Out Level / Artwork: OFF/BRUMA

KHEOSTATIC – Joséphine Muller & Ian Linter

Composed improvisation, in three acts.

KHEOSTATIC is an improvised play with a total duration of about three hours trying in an encyclopaedic way to make a sound transcription of several elements which constitute the human reality, in its language, intellectuality and action. In this first part the human perception is condensed in sound signs of the avant-garde, concrete and electroacoustic, through the recourse to an immediate and proto-metaphysical language, in narrow correlation with the possible conceptuality of the matter and its relations with the spirit. The three KHEOSTATIC‘s parts were live recorded at La Société de Curiosités, Paris.

KHEOSTATIC – Joséphine Muller & Ian Linter

Improvisation composée, en trois actes.

KHEOSTATIC est une pièce improvisée d’une durée totale d’environ trois heures, dans laquelle on tente de réaliser une transcription sonore encyclopédique de plusieurs éléments qui constituent la réalité humaine, dans son langage, son intellectualité et son action. Dans cette première partie la perception humaine est condensée en signes sonores avant-gardistes, concrets et électroacoustiques, à travers le recours à une immédiateté et à un langage proto-métaphysique, en étroite corrélation avec la possible conceptualité de la matière et ses relations avec l’esprit. Les trois parties de KHEOSTATIC ont été enregistrée en live à la Société de Curiosités, à Paris.

KHEOSTATIC – Joséphine Muller & Ian Linter

Improvisação composta, em três actos.

KHEOSTATIC é uma peça improvisada com duração total de cerca de três horas, na qual se procura de forma enciclopédica efectuar uma transcrição sonora de vários elementos que constituem a realidade humana, na sua linguagem, intelectualidade e acção. Nesta primeira parte a percepção humana é condensada em signos sonoros do avant-garde, concreto e electroacustico, através do recurso a uma linguagem imediatista e proto-metafísica, em correlação estreita com a conceptualidade possível da matéria e suas relações com o espírito. As três partes de KHEOSTATIC foram gravadas ao vivo na Société de Curiosités, Paris.

Metalurgia – Juca Pimentel

Bronssi

THX – Sofia Bravo

Suicidiária e outros poemas – Bórgia Ginz

Venus of Kazabäika

Contos Normais – Bórgia Ginz

Capa e THX Series – Sofia Bravo

Leo Alves Vieira is a Brazilian composer, Born in February 13th, 1978. Composer of many soundtrack pieces, for theatrical and movie plays since 1994, Leo Alves Vieira has been writing for many other instrument formations in the ‘academic’ scene since 2001. His debut as a composer was at the XV Biennial of Brazilian Contemporary Music, 2003, with the piece « Estilhaços-Constante Volta ao Indeterminado » (2002) for acoustic and electronic instruments, played by OFELEX. His debut album « Sounds of the Orange Coloured Forest » was released in september 2006 by Pralaya Records, from Brooklyn/NY.

« Try to create what you think, and what you think you think. »

Leo Alves Vieira

Sofia Bravo

ACT9 – CLOUD : this is nomern TURT na sombra e esporádica transmissão do verde puro. Nas Félias do amargo sotUMA se levantam os pós electriK down to the maximum rotorvator.

The interaction of the larger the number of partial waves required for convergence typically peaked around the equilibrium distance of the diatomic molecule in the ground state is due to the electric field-induced coupling between different partial waves.

During microwave breakdown the plasma front propagates towards the microwave source using a diffusion coefficient equal to the free electron diffusion coefficient everywhere gives a density profile closer to the one obtained with the effective diffusion coefficient.

Sex on Saturday – Dating You:Ilayali Bunder:2006:pG.

Sofia Bravo

Sofia Bravo

Sofia Bravo

Pianíssimo alcoólico no Casio SA-5 improvisado. Betereb-es. We can forget love & o piano é um instrumento de eleição pelo tempo fora do mastro-jazzOFF. We can’t forget love & olhos fechados em tardes de primavera, fecundos, amenos, lentos, vagos, lama. Amal! Uno e carrega-se nas teclas uma a uma, às vezes duas a duas, às vezes mais, com toda a técnica e mais Uma. Olha-se a janela e o Sol is falling. Ganza-se o olhar e a janela cai antes. SA-57. Virtude.

Minur foi um pássaro que encantou a corte de Sirah, a casta mais bela de todas as vinhateiras moçoilas. Enfim livre de qualquer mortandade a vinha subiu ao monte Jazz e descendeu. Descentou-se e a partir daqui entra o aleatório. Mil batimentos no fusco. Sempre a parir na teoria tecnológica e cortante na periferia do anal. Sempre a parir. Trogloditas a escancararem-se em tronos e dísticos partidos, e selvajarias a condizer e a soerguer: mais! We & transumância do terreno.

Juca Pimentel – Casio SA-5:pG:2001

Sofia Bravo

Airf’Auga recordings were made by some people at their home, in someone else’s home, on the streets, in bars, in trains, at night, by day. Most of these people never made conscious sound before. Some of them don’t know that it was recorded. Most of these recordings were made on tape, some on minidisc, and were collected as is.

Airf’Auga sound recordings represent several untouched audiograms of real time existence of some people.

produções Ganza:1991-…