Composed improvisation, in three acts, around the magnificence of the Man, its origins and its exponential perception.
KHEOSTATIC is an improvised play with a total duration of about three hours trying in an encyclopaedic way to make a sound transcription of several elements which constitute the human reality, in its language, intellectuality and action. In this third and final act is completed the cycle initiated in Universal Transfusion. Abyssal Force is the color of Love number twelve, and power itself in the maximum material and metaphysical expansion. The three parts of KHEOSTATIC were live recorded at La Société de Curiosités, Paris.
KHEOSTATIC - Joséphine Muller & Ian Linter
Improvisation composée, en trois actes, autour de la magnificence de l'Homme, ses origines et sa perception exponentielle.
KHEOSTATIC est une pièce improvisée d’une durée totale de près de trois heures cherchant de façon encyclopédique à effectuer une transcription sonore de plusieurs éléments qui constituent la réalité humaine, dans son langage, intellectualité et action. Dans ce troisième et dernier acte, est achevé le cycle débuté avec Universal Transfusion. Abyssal Force est la couleur de l'Amour numéro douze, et puissance dans l'expansion matérielle et métaphysique maximale. Les trois parties de KHEOSTATIC ont été enregistrées en direct à La Société de Curiosités, Paris.
KHEOSTATIC - Joséphine Muller & Ian Linter
Improvisação composta, em três actos, em torno da magnificência do Homem, suas origens e sua percepção exponencial.
KHEOSTATIC é uma peça improvisada com duração total de quase três horas, na qual se procura de forma enciclopédica efectuar uma transcrição sonora de vários elementos que constituem a realidade humana, na sua linguagem, intelectualidade e acção. Neste terceiro e último acto conclui-se o ciclo de expanção sonora iniciada em Universal Transfusion. Abyssal Force é a cor do Amor número doze, e potência em si mesma na máxima expanção material e metafísica. As três partes de Kheostatic foram gravadas ao vivo na Société de Curiosités, Paris.
Kheostatic part 3 - Abyssal Force
Length: 55 minutes 52 seconds
Composed improvisation, in three acts, around the magnificence of the Man, its origins and its exponential perception.
KHEOSTATIC is an improvised play with a total duration of about three hours trying in an encyclopaedic way to make a sound transcription of several elements which constitute the human reality, in its language, intellectuality and action. In this second part the sound degeneration completes a cycle semi-controlled by electronic fragments with a double precision: the chaos does not exist, the chaos is Human. The three KHEOSTATIC‘s parts will be live recorded at La Société de Curiosités, Paris.
KHEOSTATIC - Joséphine Muller & Ian Linter
Improvisation composée, en trois actes, autour de la magnificence de l'Homme, ses origines et sa perception exponentielle.
KHEOSTATIC est une pièce improvisée d’une durée totale de près de trois heures cherchant de façon encyclopédique à effectuer une transcription sonore de plusieurs éléments qui constituent la réalité humaine, dans son langage, intellectualité et action. Dans cette seconde partie la dégénération sonore complète un cycle semi-contrôlé par des éclats électroniques de double précision : le chaos n’existe pas, le chaos est Humain. Les trois parties de KHEOSTATIC seront enregistrées en direct à La Société de Curiosités, Paris.
KHEOSTATIC - Joséphine Muller & Ian Linter
Improvisação composta, em três actos, em torno da magnificência do Homem, suas origens e sua percepção exponencial.
KHEOSTATIC é uma peça improvisada com duração total de cerca de três horas, na qual se procura de forma enciclopédica efectuar uma transcrição sonora de vários elementos que constituem a realidade humana, na sua linguagem, intelectualidade e acção. Nesta segunda parte a degeneração sonora completa um ciclo caótico semi-controlado por estilhaços electrónicos e de precisão dupla: o caos não existe, o caos é Humano. As três partes de KHEOSTATIC serão gravadas ao vivo na Société de Curiosités, Paris.
Kheostatic part 2 - Human Khaos
Length: 51 minutes 4 seconds
Composed improvisation, in three acts, around the magnificence of the Man, its origins and its exponential perception.
KHEOSTATIC is an improvised play with a total duration of about three hours trying in an encyclopaedic way to make a sound transcription of several elements which constitute the human reality, in its language, intellectuality and action. In the first part, now published, the human perception was condensed in sound signs of the avant-garde, concrete and electroacoustic, through the recourse to an immediate and proto-metaphysical language, in narrow correlation with the possible conceptuality of the matter and its relations with the spirit. The three KHEOSTATIC‘s parts will be live recorded at La Société de Curiosités, Paris.
KHEOSTATIC - Joséphine Muller & Ian Linter
Improvisation composée, en trois actes, autour de la magnificence de l'Homme, ses origines et sa perception exponentielle.
KHEOSTATIC est une pièce improvisée d’une durée totale de près de trois heures cherchant de façon encyclopédique à effectuer une transcription sonore de plusieurs éléments qui constituent la réalité humaine, dans son langage, intellectualité et action. Dans la première partie, maintenant publiée, la perception humaine a été condensée en signes sonores de l’avant-garde, concret et électro-acoustique, à travers le recours à un langage immédiat et proto-métaphysique, en corrélation étroite avec la conceptualité possible de la matière et ses relations avec l’esprit. Les trois parties de KHEOSTATIC seront enregistrées en direct à La Société de Curiosités, Paris.
KHEOSTATIC - Joséphine Muller & Ian Linter
Improvisação composta, em três actos, em torno da magnificência do Homem, suas origens e sua percepção exponencial.
KHEOSTATIC é uma peça improvisada com duração total de cerca de três horas, na qual se procura de forma enciclopédica efectuar uma transcrição sonora de vários elementos que constituem a realidade humana, na sua linguagem, intelectualidade e acção. Na primeira parte, que agora é publicada, a percepção humana foi condensada em signos sonoros do avant-garde, concreto e electroacustico, através do recurso a uma linguagem imediatista e proto-metafísica, em correlação estreita com a conceptualidade possível da matéria e suas relações com o espírito. As três partes de KHEOSTATIC serão gravadas ao vivo na Société de Curiosités, Paris.
Larsp ’s musical background started with classical music at the Conservatoire where he learnt the cello. In 2002. His first project under the name of PUPPET LE CURE, sounds like hard-techno vs. melodic orchestra, and an EP was signed by independent label CWK in 2002.
His solo project under LARSP was launched in 2005. It follows a radically different approach
from Puppet le curé. Larsp has moved away from techno to shift from experimental ambient
to melancholic breakcore. The project is based on the atmospheres rather than dance floor,
half-way between darkly oppressing sounds and slow rhythmic destructuring.
After almost twenty years of sound construction under such names as OLoF NiNe, ACT9, La Main Traumatique, Massacre Divino, Airf’Auga, etc, Ian Linter records the first album in his own name. Immediatism & electronics in synthetic moisture and mass-organic cadencies. All tracks, as usual, were recorded directly to hard-drive, minidisc, or cassette and expresses real time manipulation of diverse sound sources; no throughout-time creation, no multi-track composition.
