Abnot Kraz – Le Neuroplamsa Chronovibrant

AQz – Electric guitar, synths
JM – Electric guitar, synths
IL – Sampler, synths

Live – Le Placard Headphone Festival – Paris –  La Générale – 29-11-2025.

Vendredi, 8 décembre 2023, à partir de 19h : Ian Linter : Anar Kam

Anar Kam

La suppression des débris de l’espace inter-électrodes est susceptible d’être toujours partielle. Ainsi, les propriétés électriques du diélectrique dans l’espace inter-électrodes peuvent être différentes de leurs valeurs nominales et peuvent même varier avec le temps. La distance inter-électrodes, appelée aussi l’interstice d’étincelle, est le résultat des algorithmes de contrôle de la machine spécifique utilisée. Le contrôle d’une telle distance est logiquement central dans ce processus. De plus, tout le courant entre le diélectrique n’est pas du type idéal : l’interstice d’étincelle peut être court-circuité par les débris. Cela est indésirable car un court-circuit contribue à l’élimination du matériau de manière différente de la situation idéale.

Ian Linter

Immédiatisme électro-organique dans des structures aléatoires en temps réel : OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, Plasma, RTP, La Main Traumatique avec Joséphine Muller, entre autres… Ian Linter tourne le troisième axe créé par Bórgia Ginz et reflété par Juca Pimentel.

produções Ganza
A Stranger Paradise

data

data est un lieu d’exposition et une salle de concert associative tournée vers les musiques expérimentales et improvisées, à Marseille. data est aussi une médiathèque musicale associative où les adhérents peuvent emprunter gratuitement parmi les quelques 3000 vinyles, 4000 CDs et 200 K7s de la collection. Si on voulait tout écouter, il faudrait au moins une bonne année pour écluser le fond, sans manger, ni dormir.

Data 44 rue des bons enfants Marseille

Electro-organic immediatism in any possible structure through a real-time feedback series of necessary events expressed since the early 90’s on distinct anti-aesthetics such as OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique (with Joséphine Muller), Plasma, RTP, among others…

Ian Linter spins the third axis created by Bórgia Ginz and mirrored by Juca Pimentel.

Non musika Excentrica IN! For electronikal renoise Key. Submit Random Science & reduction. Overflow cast Numar is for Den emon exp & la mort pour Vitas body convolution.

C-OmP Ars présente

SET UP #1
Dissections sonores

Nouveau rendez-vous régulier à Marseille, hébergé par La Fabulerie.

Au programme, différents créateurs sonores jouent live et expliquent leur set à travers des échanges avec le public. Analyses, expérimentations, jeu … dans un environnement ouvert et convivial.

Pourquoi ce rendez-vous ? On est souvent fasciné pendant un live par la diversité des sons que l’on entend, et contrairement aux instruments acoustiques, complètement paumé sur comment les gestes du musicien peuvent engendrer ces sons. Alors pourquoi pas démystifier cette situation, sans toutefois altérer notre émerveillement et nos émotions.

Pour le numéro #1 Set UP invite Ian Linter qui présentera sa Synthèse humide.

DISSECTION D’UN CADAVRE EXQUIS ÉLECTROÉLECTRONIQUE

Live – 30-45m
Synthèse humide.

Échange – 30m
La matière sonore immédiate comme forme de construction spontanée, sans avoir été imaginée. Le processus de feedback sensoriel et la réponse contrôlée par l’input. La création de « superstructures » virtuelles jouables en temps réel. La provocation de l’imprévu.

Play – 30-45m
Superstructure créatrice en mode aléatoire.

« Where is it ?

Le son est fréquence et l’immédiat est spontané.

Number.

L’Immédiatisme comme processus de feedback sensoriel et la réponse contrôlée par l’input.

3.

Intervenir c’est susciter de manière conditionnée. Le résultat de l’intervention est déterminé par le processus d’assimilation des fréquences (condition) générées par l’intervenant. L’intérêt est de susciter de manière complexe, à travers un processus organique, atteignant les fréquences de base et non structurelles ou systématisées, idéalisés, dans un point cérébral où l’organique teste le métaphysique et dans cette perspective le rétrécit jusqu’à ce que la matière brute apparaisse. L’émergence oblique de cette matière brute indique l’occurrence de l’intervention complexe, et surtout, sa nature.

Where is down ?

Une gorgée de lait dans une brasserie marseillaise correspond à un claquement de l’écorce carbonique d’un arbre synthétique : l’humanisation de la forme correspond toujours à une synthétisation de l’humanité (relation méta-matière et antiphysique).

1 – Le contenu carbonique est admis dans le cadre de la fluidité du concept synthétique dans la structure de l’écorce, et l’arbre entier sera la structure choisie pour évoluer dans sa qualité synthétique.

2 – La forme synthétique est transportée d’un lieu à l’autre par la locomotive (les retransmetteurs) qui n’est plus qu’une accumulation de la puissance de fabrication en vue de la préservation d’un certain contenu synthétique (la gorgée de lait est un film hors du temps transformé en extension sérielle d’un événement reproduit).

3 – La prolifération de l’occurrence reproductive (masses & contrôle pornographique) effectue une sédimentation carbonique dans le tissu organique, formant des greffes de capacité synthétique et annulant les impulsions organiques : l’organique est limité à la synthèse.

IV.

La création complexe a lieu à la périphérie de la limite carbonique. Elle conscientise le métaphysique pour qu’il renoue avec le physique qui a été carbonisé par le feu (arme psycho-formelle) de la sangsue synthétique.

Dans un tissu carbonique, la création est complexe lorsqu’on pisse dans la synthèse.

Where is for ? »

IAN LINTER

Immédiatisme électro-organique exprimé depuis le début des années 90 sur des anti-esthétiques telles que OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique (avec Joséphine Muller), Plasma, RTP, entre autres…

produções Ganza 1991-2022

24 novembre 19-22h
Entrée libre

La Fabulerie
10 Bd Garibaldi
13001 Marseille

une production C-OmP Ars

Set-UP-1-Ian-Linter

La Société de Curiosités, A Stranger Paradise and Classwar Karaoke present

Octaèdre Resonant

an octet in two movements for electro-acoustic instruments, guitars, bass, prepared chamber, effects pedals, machinery, electronics, tapes, monotron, goyamoog, kaossilator, objects

With Adrian Beentjes, Anton Mobin, Ayato, Colin Johnco, David Cunliffe, Hopek Quirin, Ian Linter, Murmurists, Thomas Fernier

Recorded Live at Les Voûtes – Paris – 21st April.

Concept by Ian Linter.

Produced by Ian Linter & Joséphine Muller.

Photos by Anton Mobin, Lysvia Maïz and Chloé B. Video by Chloé B.Special thanks to Eric Périer (La Société de Curiosités) and Remi Gros (Les Voûtes).
http://instantnet.wordpress.com
http://lesvoutes.org

Murmurists (Anthony Donovan) (uk)

Artist, musician, writer, composer, working solo as Murmurists. Improviser – with Vultures Quartet, Familiars, Donovan/Graham, and others. Member of Lux P0G0 and the.clinamen. Ardent collaborator. Co-founder of Classwar Karaoke with Jaan Patterson and Adrian Beentjes. Erstwhile academic. Born North West England; now Middle-England. Mid40s; moderately-healthy. Interests all either obscure or intentionally opaque, but morally authentic.

Fretless half-guitars, Goyamoog, Objects

http://murmurists.blogspot.com
http://vulturesquartet.com
http://classwarkaraoke.com

Adrian Beentjes (usa)

Born in 1973 in Philadelphia, USA. He lives with his family in the north-west England. Obsessed with sound​​, his passion draw upon the exploration of soundrecording, mixed / multi-media, performance and unrecordism. He leads the collective Classwar Karaoke with Anthony Donovan and Jaan Patterson and currently produces sound works under the project named Deadzoo.

Pickup, pickup coil, circuit bent toys, Field Recording, Microcassette, dc motors …

http://youtube.com/nadazipp
http://classwarkaraoke.com

Hopek Quirin (de)

Musician, objector, member of AADK, working with 6 or 7, abq, jochen arbeit’s soundscapes, classwar karaoke, madzaru etc.

Bass, Effekt pedals, Objects

http://myspace.com/hopekquirin
http://classwarkaraoke.com

Ian Linter (pt)

Electro-organic immediatism in any possible structure through a real-time feedback series of necessary events, expressed since the early 90’s on distinct anti-aesthetics with names like OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique with Joséphine Muller, Plasma, RTP, among others.

« Non musika Excentrica IN! For electronikal renoise Key. Submit Random Science & reduction. Overflow cast Numar is for Den emon exp & la mort pour Vitas body convolution. »

Electronics, ohmed guitar

http://astrangerparadise.com/ianlinter
http://astrangerparadise.com/offbruma
http://pganza.com

Anton Mobin (fr)

Radio producer, sound artist and improvisator. He develops an intuitive, energetic music and done wonders for the self-confidence by any elitist codes which the improvised music. Anton Mobin multiplies the meetings with numerous international artists on stage and during his home radio show « A Maïzing session with… » on the webradio KKWNE.
Curator of the Improvisator Network and of the label H.A.K. Lo-Fi Record.

Prepared Chamber, Microphones, Objects, Electronics

http://antonmobin.blogspot.com
http://maizingsessions.blogspot.com
http://h.a.k.free.fr

Ayato (fr)

Musician, guitarist, do-it-yourselfer, composer of a dense and complex high-jacking music. One of the most active members of the collective H.A.K with a considerable production published on the label H.A.K. Lo-Fi Record. Part  of  Crash  Duo,  Cluedo  Krew,  Polymagoo  Commando, Thanato Twist with  Oleg’s  Sound System. Ayato  also  develops  a  particular  dialogue  with  Image  during  live  soundtracks  and  with  the photographer Malik Nejmi.

Prepared Guitar, Objects, Cassettes

http://ayato-sn1984.blogspot.com
http://h.a.k.free.fr

Thomas Fernier (fr)

Musician, composer, working solo (Chevo Légé), in duo (Marteau Mu, tvlasunor & Thomas Fernier) Part of the collective of improvisation “ Supersoft [14-18] ” (label : Partycul System) and of “Poésie  Is  Not  Dead” (collective  of  improvised  sessions  with  poets,  musicians  and  video directors). Realisation of soundtracks for des bandes-son for the theater and the dance (Benoît Bradel, Tomeo Verges)

Prepared Guitar, jack

http://myspace.com/thomasfernier
http://myspace.com/chevolege

Colin Johnco (fr)

Musician  and  sound  designer  based  in  Paris,  France.  In  late  2006,  he  created  LEEP (Les Enregistrements de l’Europe Parisien) then CJC records, both independent net-labels favoring ambient and experimental electronic music. Colin Johnco is currently playing in different bands such as FareWell Poetry, DR(DR)ONE and Prison Food Sucks.

Closed analog circuit

http://colinjohnco.com

David Cunliffe (uk)

Mainly drummer/percussionist with long history of playing in a wide variety of groups. Also interested in writing and recording solo music Member of YMMV, an experimental / avant-garde project with Adrian Beentjes. Originally only drummer, he now plays  extending percussion/electronics/sequences and effects processing with some vocal elements. He appeared on the CWK series as a solo artist (Igorspacieuse blouse/coffin Boffin) and as a member of The ThudExperiment, « Turso iku ». Photography and cinema are his interests.

Percussion, Electronics, Contact Microphones, Vocal emissions

http://archive.org/details/BlankCanvasem153

Classwar Karaoke

Operated by Adrian Beentjes (usa-uk), Anthony Donovan (uk) and Jaan Patterson (de), Classwar Karaoke is based around a series of ongoing quarterly surveys. Each act contributes a piece of music or film, an image, and a piece of writing.

As a project, classwar karaoke is based around a series of ongoing, quarterly surveys, the first of which, dubbed ‘0001 survey’, was released in May 2008. Each survey is different – in terms of personnel, number of personnel, and in terms of theme. Participation is fairly open – so long as those interested in being involved work intelligently within the broad context of experimental music and do not seek to use the project as just another on-line shop-window for their material. So far, the inclusive nature of classwar karaoke has worked wonderfully-well in terms of quality of material. See and hear for yourself by checking out our internet archive pages. Indeed, the label itself was envisaged, from the very start, as an experiment in the positive power which inclusivity can have upon artworking if included in meaningful ways. That said, we reserve the right to maintain the quality of both the art which is offered and the community from which it comes. Our ambitions for the label do not stop at periodic on-line releases. In the short time it has been running, we have already had  one  classwar  karaoke  live  showcase;  which  featured  as  0005  survey.  More  events  are  planned. Similarly, physical releases – of CDRs and DVDs – are forthcoming.

All material remains the property of the respective artists and is offered for free download in line with this license. The nine surveys published so far feature almost one-hundred artists, from all over the world; and the material in toto represents significant documentation of the experimental scene itself. Involvement in the project has helped spawn many fruitful collaborations, live-shows and a vibrant exchange of ideas; so much so that, for several repeat-participants, Classwar Karaoke is as much a collective as it is a mechanism for the release of new material.

http://classwarkaraoke.com
http://myspace.com/classwarkaraoke
http://archive.org/details/classwar-karaoke
http://classwarkaraoke.bandcamp.com/
http://ilike.com/artist/classwar+karaoke
http://last.fm/label/CLASSWAR+KARAOKE
http://reverbnation.com/label/classwarkaraoke

La Société de Curiosités

Dans l’enjeu actuel d’un choix d’orientation culturelle collective à grande échelle vers la croyance ou bien vers l’intelligence, le projet Infact Paris/La Société de Curiosités, en engageant les pratiques de production et d’écoute dans des échanges plus divers et moins normés, emprunte des voies possibles. Il propose des façons de faire des nouveaux partages, d’autres configurations de places pour donner libre cours à des pratiques artistiques inhabituelles et transformer leur abord en une activité.

http://instantnet.wordpress.com

A Stranger Paradise

L’association A Stranger Paradise a été créée en 2009 et a comme objectif la création et la dynamisation culturelle sous toutes ses formes, dans une logique d’expérimentation multi-disciplinaire et d’échange.

http://astrangerparadise.com
http://pganza.com

Soirée de Soutien – DATA MEDIATHEQUE – 19 février 2022 – 19h

Ian Linter – Epsilonia

This recording was made on the 9th February 2012, during the live improvisation for the cult French underground radio program Epsilonia (Squadra Lumaca division) at Radio Libertaire studios, Paris.

Special thanks to Joséphine Muller and to the Epsilonia team: Jérôme Florenville, Nicolas Marmin, Xavier Roux and Olivier Lebeau.

Original cover-photo by Nicolas Marmin.

Structure // Sampler N and generator 23 for chroma in multi domains, pad OFF multi, m-IN, effects Zoomer for bleed interference, controlled mic, ohmed guitar,ohmed voice, can 2d, can 4, can 9, controlled flute, screws 23# and zen#a, surfaces A – D

Ian Linter

Electro-organic immediatism in any possible structure through a real-time feedback series of necessary events expressed since the early 90’s on distinct anti-aesthetics with names like OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique with Joséphine Muller, Plasma, RTP, among others… Ian Linter turns the third axis created by Bórgia Ginz and mirrored by Juca Pimentel.

« Non musika Excentrica IN! For electronikal renoise Key. Submit Random Science & reduction. Overflow cast Numar is for Den emon exp & la mort pour Vitas body convolution. »

Alex Kimball & Ian Linter – Kathedrikos Maschine

A Live Transmission with Alex Kimball and Ian Linter applying abstractions from different locations: Little Rock, USA, and Paris, France. An absolute act of improvisation after the render Myth & recording passion for Lodovico Series 9. Recorded Saturday, number 26/11 in 2011.

Alex Kimball

« Really, The Death Sound started in 2007 when I was beginning to explore early industrial music. I had gotten a bug to look into older industrial music while I was going through a Numb kick. I am someone who likes to « go back to the beginning » of things, so to speak, study origins, so the logical starting place was Throbbing Gristle. I was fascinated by it; it was different, challenging, and like nothing you’d really hear called « industrial » today. I’d remembered my friend Matt from college did sequencer programing on a freeware program called Jeskola buzz. I called him up with the proposition of starting a project. The Death Sound was born. Our first recording was just an experiment with using sound editing software, chopping up samples. The result was « A Series of Tubular Bells », which was a joke track that we threw up on myspace until we had time to do anything better. That is, until Cosey Fanni Tuti sent us a message telling us she enjoyed our sound. Late 2007, we had a flurry of recording and put together the 5 or 6 track (depending on which version) Series of Tubular Bells EP, mostly Matt doing instrumentation and myself doing arrangement, composition and some vocals. By 2008, we had been making connections all over the world, and our sound was growing more diverse from the different influences. While we had discussed possibility of touring europe, plans never fully materialized (and we weren’t ready for live performances anyway). While we were making a small name for ourselves in the European scene, very few local shows developed and the reception was lukewarm. Summer of 2008 I arranged and recorded « Loneliness on the Psychic Seas » largely by myself, but building on Matt’s instrumentation. Around this time, I was also doing a number of collaborations with artists from around the world (OLoF NiNe, Tarsus, Arte Sacra Atelier, and several with both Finger Painted Death and Glitchgore) under the name The Death Sound, though these were largely a solo affair. Late summer, we finally scrounged some mediocre gigs to try to promote a compilation of odds and ends « Nothing But a Nightmare » and our band’s one year birthday. This would lead to the retrospective album TDS: « Year One », a compilation of our first two EPs and the full live set from our « birthday » gig, on OFF/BRUMA, a Portugese net label. TDS: « Year One » was intended to be a milestone from which we would launch ourselves forward, and still remains in heavy rotation on underground internet radio, however nothing is as we intend. We played « Easy Street » not long after our birthday show, which proved to be our most successful show. The live album from that night would be the Death Sound’s last full length release. We had intended to begin work on a follow up to Year One, which was to be titled « All Part of Nature’s Plan », however in early 2009 only a few tracks were finished. The birth of Matt’s daughter was a happy occasion, but it meant that he no longer had the time to devote to musical projects that he once did. I found myself playing for the Kill Crazies, a punk band spun off of the band we had played our last show with, which is a story unto itself. Essentially, the Death Sound went on Hiatus. The brief re-emergence of the Death Sound last year had a lot to do with Dakuu, Stillborn Diz, Fuck Your Scene Vol 2, and the breakup of Medicide. I discovered and absolutely fell in love with Stillborn Diz, who ended up on Fuck Your Scene Vol 2. Through Stillborn Diz, I’d heard of a band called 13th Moon; a member of 13th Moon had put out a free Japanese goth compilation called « Plan X From the Eastern Dark ». I checked it out because it had Darkside Mirrors on it (whom I adore). Masahide from Dakuu, a band on that compilation, saw I was familiar with his music from Plan X, and checked out what I was doing with FYS and The Death Sound. -Masahide-san and I talked about the possibility of putting something out on Retro Virus Records. In the end, we decided to include the Death Sound, Stillborn Diz, and Finger Painted Death. Very long and complicated, I know! This gave Matt and I the perfect excuse and opportunity to dust off what we had been working on before our hiatus. While « All Part of Nature’s Plan » will almost certainly never see the light of day, the 5 tracks on Mundus Patet are representative of what the album might have been like, as we were moving away from our harsher sounds to a more moody and melodic style. »

// Keyboard, flanger, phaser, delay, gristleizer//

http://retrovirusrecords.com

Ian Linter

Electro-organic immediatism in any possible structure through a real-time feedback series of necessary events: OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique with Joséphine Muller, Plasma, RTP… Ian Linter turns the third axis created by Bórgia Ginz and mirrored by Juca Pimentel.

« Non musika Excentrica IN! For electronikal renoise Key. Submit Random Science & reduction. Overflow cast Numar is for Den emon exp & la mort pour Vitas body convolution. »

// Sampler Z and generator 14 for chroma in multi domains, pad OFF multi, effects Zoomer, controlled mic, ohmed guitar, ohmed voice, pG guitar, surfaces M – Z //

http://astrangerparadise.com/ianlinter

Anthony Donovan & Ian Linter – Amplex, Onomatopoetry

A Live Transmission with Anthony Donovan and Ian Linter applying abstractions from different locations: United Kingdom and France. An absolute act of improvisation after the render Myth & recording passion for Lodovico Series 9. Recorded Wednesday, number 19/10 in 2011.

Anthony Donovan (Murmurists)

Artist, musician, writer, composer, working solo as Murmurists. Improviser – with Vultures Quartet, Donovan/Graham, and others. Member of Lux P0G0 and the.clinamen. Ardent collaborator. Co-founder of Classwar Karaoke. Erstwhile academic. Born North West England; now Middle-England. Mid40s; moderately-healthy. Interests all either obscure or intentionally opaque, but morally authentic.

// Zither – with contact mic and guitar pick-up, homemade light-sensitive analogue synthesiser (made by Adrian Beentjes), digital synthesiser, 4 string electric bass, 6 string acoustic guitar, loop station, digital delay, analague flanger, digital multi-effects, distortion, mini-amp/speaker with contact mic, electric toothbrush, electric fan, cello bow, objects, balloons, radio, microphone, walkie-talkie (x 2), glass slide, crocodile clips //

http://murmurists.blogspot.com

Ian Linter

Electro-organic immediatism in any possible structure through a real-time feedback series of necessary events: OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique with Joséphine Muller, Plasma, RTP… Ian Linter turns the third axis created by Bórgia Ginz and mirrored by Juca Pimentel.

« Non musika Excentrica IN! For electronikal renoise Key. Submit Random Science & reduction. Overflow cast Numar is for Den emon exp & la mort pour Vitas body convolution. »

// Sampler N and generator 23 for chroma in multi domains, pad OFF multi, effects Zoomer for bleed interference, controlled mic, ohmed guitar, pG guitar, can 2d, can 4, can 9, ohmed flute, screws 23# and zen#a, meta-Artaud, surfaces A – D //

http://astrangerparadise.com/ianlinter

EPSILONIA 09.02.2012
UNPEDIGREED MUSICS SINCE 1986

IAN LINTER (PT)

Live

Immédiatisme électro-organique dans n’importe quelle structure, exprimé depuis le début des années 90 par des anti-esthétiques distinctes comme OLoF NiNe, ACT9, Airf’Auga, La Main Traumatique avec Joséphine Muller, Plasma, RTP, IS KYA, Massacre Divino parmi d’autres…

« Non musika Excentrica IN! For electronikal renoise Key. Submit Random Science & reduction. Overflow cast Numar is for Den emon exp & la mort pour Vitas body convolution. »

L’équipe Epsilonia Squadra Lumaca:
Nicolas Marmin, Jérôme Florenville, Xavier Roux, Olivier Lebeau.

————-

EPSILONIA EN FM : PARIS et RP :
89.4 FM

PLAYLISTES, INFOS, ETC.
http://epsilonia-radio.blogspot.com

EPSILONIA Live VIDEO
http://www.youtube.com/user/EPSILONIARADIO

EPSILONIA is re-broadcasted on Mondays @ AStrangerParadise
http://astrangerparadise.com/strange-frequencies-radio

multiEmission @ Strange Frequencies Channel

Strange Frequencies Channel
Live Transmission by Anthony Donovan & Ian Linter
Monday: 21st: November : 19h00 (gmt+1) Paris time

A Live Transmission with Anthony Donovan and Ian Linter applying abstractions from different locations: United Kingdom and France. An absolute act of improvisation after the render Myth & recording passion for Lodovico Series 9. Begin at 19h00 (gmt+1) and progression for 60 almost rotations/brain measure. Monday, number 21/11.

Anthony Donovan (Murmurists)

Artist, musician, writer, composer, working solo as Murmurists. Improviser – with Vultures Quartet, Donovan/Graham, and others. Member of Lux P0G0 and the.clinamen. Ardent collaborator. Co-founder of Classwar Karaoke. Erstwhile academic. Born North West England; now Middle-England. Mid40s; moderately-healthy. Interests all either obscure or intentionally opaque, but morally authentic.

// Zither – with contact mic and guitar pick-up, homemade light-sensitive analogue synthesiser (made by Adrian Beentjes), digital synthesiser, 4 string electric bass, 6 string acoustic guitar, loop station, digital delay, analague flanger, digital multi-effects, distortion, mini-amp/speaker with contact mic, electric toothbrush, electric fan, cello bow, objects, balloons, radio, microphone, walkie-talkie (x 2), glass slide, crocodile clips //

http://murmurists.blogspot.com

Ian Linter

Electro-organic immediatism in any possible structure through a real-time feedback series of necessary events: OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique with Joséphine Muller, Plasma, RTP… Ian Linter turns the third axis created by Bórgia Ginz and mirrored by Juca Pimentel.

“Non musika Excentrica IN! For electronikal renoise Key. Submit Random Science & reduction. Overflow cast Numar is for Den emon exp & la mort pour Vitas body convolution.”

// Sampler N and generator 23 for chroma in multi domains, pad OFF multi, effects Zoomer for bleed interference, controlled mic, ohmed guitar, pG guitar, can 2d, can 4, can 9, ohmed flute, screws 23# and zen#a, meta-Artaud, surfaces A – D //

http://astrangerparadise.com/ianlinter

multiEmission @ Strange Frequencies Channel

multiEmission @ Strange Frequencies Channel

Naal Stayn

Naal Stayn is the man behind many names and many bands like KZSE, Tattooed intestine, Melanome, Trendy Store, Lipstandärd and just mentioning a few… 78’s, altered playing, après-garde, blind recording, bore-friendly, claustrophone, complex-minded, concrete folk, de-music, de-taught, do it myself, err-hazer, far listening, hybrid wave, isolated live, krautsynth, leftwave, lo-psychedelic, maximalism, mental synth, multicraft, no-fi, one-off releases, otherground, overdubbed underdubs, own listening, prepared accidents, proto fünke, re-taught, self sufficiently, sexophobic claps, shield recording, sober sophistication, solitarium, sorrow garden, stream of unconsciousness, uncareering, unsync devices. You can check his one-off & self-produced discography under licence of Self Sufficient Records.

http://self-sufficientrecords.blogspot.com
http://myspace.com/naalstayn
http://myspace.com/trendystore1983

Empathy Kills (aka |Joséphine Muller|)

|Joséphine Muller| has been creating metamorphic video-sound fields under different names like Sex on Saturday, Empathy Kills, Abnot Kraz, or La Main Traumatique. Improvised and minimalist electronic manipulations or electro acoustic abstractions, these are some manifestations of this OFF/BRUMA netlabel and ASP association co-founder.

http://astrangerparadise.com/josephinemuller
http://astrangerparadise.com

MaCu (aka Susanne Hafenscher)

MaCu is the project of the Austrian musician Susanne Hafenscher. She started her musically activities with studying piano and vocals. After a certain period without doing any music she began to play guitar. Soon MaCu started to experiment with prepared guitar and to generate music by using field recordings and processed sounds of objects and vocals. She has an extensive discography and composition collaborations released by some of the finest netlabels, and recently she co-founded the netlabel kultur[Terrorismus].

http://macu1.wordpress.com
http://kulturterrorismus.de

Anton Mobin

Anton Mobin is a concrete music composer & radio producer addict of field recordings. Co-curator of the collective H.A.K. and curator of the Improvisators Network. Objects manipulator & improvisator experienced due to several meeting with international artists which one of the most important was certainly with Rinus van Alebeek in Berlin. Always in search for new articulations between objects, manipulations, and interaction with his own body. A crack, a fold, a brightness, a jolt in the plan of the sound, a convexity of surface…

Dreams face downward

Performed live by Anton Mobin at the ASP studios Paris on December 22th, 2010.
Recorded in multi-channel by |Ian Linter| for OFF/BRUMA.

Prepared Chamber. This chamber is a home-made acoustic instrument prepared by Anton Mobin and composed with a large box in wood, upgraded with several springs and others metallic found objects selected for their capacity to create melody. The box is divided into three parts among which each is covered with a different surface (a wood, a metal and a plastic one). Three different contact-microphones are placed in suspension under these surfaces: bass contact for the wood, medium contact for the metal and high contact for the plastic surface. Deliberate accidents produced in the Prepared Chamber create a micro universe which I dread in an intuitive way to resound as the pling plong music. Prepared chamber & Objects manipulated by Anton Mobin in an acoustic mode with effects application and treatments in real time by |Ian Linter|. Each of the 3 microphones were plugged and recorded in a separated track with different processing and equalization on each of them.

http://antonmobin.blogspot.com
http://h.a.k.free.fr

Alrucini (aka Albedo Rubedo Citrinitas Nigredo)

Ricardo Alrucini is the entity behind names like Alrucini, Shamahan, Bad Slap Org, Ombilic, Umbra, Apocalipse Político, and many others. They are Ritualistic Dada manipulations and Industrial Surrealisms transformations in exponential relation with the Moon’s shadow. Alrucini is underground. His extensive discography can be heard at Electro Rucini, the label he founded in 2007.

http://alrucini.blogspot.com
http://obraemalrucini.blogspot.com
http://archive.org/details/electro-rucini

OLoF NiNe (aka |Ian Linter|)

The idea is to have no idea, just frequencies. Metamorphic industrial/immediatism/sensorial. Application controlled for the moment in the superior axis of the Immediate.

http://omnicorn.com/olofnine
http://myspace.com/olofnine

Juan Antonio Nieto (aka Pangea)

Juan Antonio Nieto is a sound artist who signs some of his works under the name of Pangea. His records have been published in labels around the world as Trente Oiseaux, Mandorla, Experimedia, Impulsive Habitat, Idiosyncratics, TestTube AMP, among others. Pangea has collaborated with some of the most prestigious avant-garde artists of the world, Brazilian classical composer Leo Alves Vieira working with string quartets and choirs, the Japanese author Kenji Siratori who has voiced his compositions and David Velez, this latter release was considered the best album of 2007 by the journal Earlabs. His music has been included in art installations in the Circulo de Bellas Artes de Madrid and the Cultural Center of Spain in Buenos Aires. Pangea has performed in various European and American cities.

http://pangea-juanantonionieto.blogspot.com
http://myspace.com/juanantonionieto

Ian Linter

Ian Linter is an original member of the Portuguese underground collective produções Ganza, co-founder of OFF/BRUMA netlabel, and also many others sonic entities like the non-stop webradio Strange Frequencies Channel, under the label ASP. His creations are electro-organic immediatism in any possible structure through a real-time feedback series of necessary events, and have been expressed since the early 90’s on distinct anti-aesthetics with names like OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique with Joséphine Muller, Plasma, RTP, among others… Ian Linter turns the third axis created by Bórgia Ginz and mirrored by Juca Pimentel.

http://astrangerparadise.com/ianlinter
http://astrangerparadise.com/strange-frequencies-radio
http://pganza.com

OFF/BRUMA would like to thank all the beautiful dreamers who gave substance to this album.

Guitarra anestesiada em sentido fundo. The beauty of paradigms. Imenso descer dos sentidos em revolta suprema pelo sempre Não. The beauty of strangeness. Regressão aritmética profunda. The beauty of shadows.

Plasma : Digital : Ian Linter

Additive synthesis width massive amount of sine-wave oscillators.

Le Miroir, 1st December 2007, Paris.

During microwave breakdown at atmospheric pressure the plasma front propagates towards the microwave source because of the larger field in the front due to reflection where the ionization coefficient is no longer constant but is the result of the complex interaction of the plasma with an incident microwave beam.

ACT9 – CLOUD : this is nomern TURT na sombra e esporádica transmissão do verde puro. Nas Félias do amargo sotUMA se levantam os pós electriK down to the maximum rotorvator.

The interaction of the larger the number of partial waves required for convergence typically peaked around the equilibrium distance of the diatomic molecule in the ground state is due to the electric field-induced coupling between different partial waves.

During microwave breakdown the plasma front propagates towards the microwave source using a diffusion coefficient equal to the free electron diffusion coefficient everywhere gives a density profile closer to the one obtained with the effective diffusion coefficient.