A Stranger Paradise

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Bórgia Ginz

Ansiamos a instituição da livre circulação e transmissão de objectos da criação intelectual abstracta. O Homem não é; o Homem é uma potência do que pode vir a ser. E nós ambicionamos o Homem-outro. Nós não nos baseamos nas velhas teorias. Nós não nos baseamos em nada. Construimos realidade. A nossa.

astrangerparadise.com

 

Joséphine Muller

De jour en jour le besoin s'impose d'avantage. Il ne se prête plus guère à une considération détachée. La stylistique appliquée n'est pas l'observation du réel.

astrangerparadise.com/josephinemuller

 

Ian Linter

Non musika Excentrica IN! For electronikal renoise Key. Submit Random Science & reduction. Overflow cast Numar is for Den emon exp & la mort pour Vitas body convolution.

astrangerparadise.com/ianlinter

 

Juca Pimentel

Eu olho para Ti, e tenho medo, minha querida… Eu vejo-Te despida num sonho purpúreo e diabólico, e sinto nojo… e sinto vontade de vomitar, meu amor….

omnicorn.com/jp

Radio schedule

Sun Nov 17 @15:00 - 05:00pm
Free

Mon Nov 18 @15:00 - 05:00pm
Free

Mon Nov 18 @22:00 - 11:59pm
Epsilonia

Tue Nov 19 @15:00 - 05:00pm
Free

Wed Nov 20 @15:00 - 05:00pm
Free

offb003 Slutimids!! - The Grey Album - A Stranger Paradise
offb004 The Death Sound - Year One - A Stranger Paradise

Newsletter

Alex Kimball & Ian Linter - Kathedrikos Maschine

A Live Transmission with Alex Kimball and Ian Linter applying abstractions from different locations: Little Rock, USA, and Paris, France. An absolute act of improvisation after the render Myth & recording passion for Lodovico Series 9. Recorded Saturday, number 26/11 in 2011.


Strange Frequencies Channel - Live Transmission by Alex Kimball & Ian Linter
Saturday: 26th : November : 21h00 (gmt+1) Paris time

A Live Transmission with Alex Kimball and Ian Linter applying abstractions from different locations: Little Rock, USA, and Paris, France. An absolute act of improvisation after the render Myth & recording passion for Lodovico Series 9. Begin at 21h00 (gmt+1) and progression for at least 60 rotations/brain measure. Saturday, number 26/11.

Ian Linter - Dictators in Savannah

Recorded for Peak the Source Vol.1 released by suRRism-Phonoethics

Ian Linter - Poraquê e Bacaba

Recorded 29:05:2011 for Head Full of Music Vol.1 at kultur[Terrorismus]

To the Amazon people of Mehinaku, Krikati, Tukano, Bororo, Xavante, Kaxinawá and Karajá, the origin and soul of all the living sound.
Ian Linter - The Iruminan

Recorded 24:05:2011 for Classwar Karaoke 0014

"The Iruminan. Martel'OX in matter - extra fusão e síncopa on the field chamber of your soul. In'Imias tar mastodonte fusion & dinamo force to junkie heart na periferia Zone extra. Maltor na noite and in'Imias vasto in shadow" - ZX Vurn.
Ian Linter - The Massive

Recorded for Classwar Karaoke 0012

Ian Linter - Vurn in Mir'Ias

Recorded 13:02:2011 for Classwar Karaoke 0013

"Mir'Ias. Quando aquela mulher chegou, ela levava debaixo do braço um sonho de encantar. MiasmatiK solution, envolving Abnot k. Na fuga fez a vitória suprema, e depois, entre as aranhas dos lados, e nas buscas do possível, ela se enfiou pelo pedaço da noite que restava. Below zero atrox & Nubia accelerator. Depois, a noite toda foi coberta de espantos e acelerações do imediato. ZX Nubia - a aceleração condensa o espírito e transfere o pensamento - ZX Vurn."

Night over in k. Ian Linter's Kuma structures. After almost twenty years of sound construction under such names as OLoF NiNe, ACT9, La Main Traumatique, Massacre Divino, Airf'Auga, etc, Ian Linter records the first album in his own name. Immediatism & electronics in synthetic moisture and mass-organic cadencies. All tracks, as usual, were recorded directly to hard-drive, minidisc, or cassette and expresses real time manipulation of diverse sound sources; no throughout-time creation, no multi-track composition.

dnasnow/mouseup are Zan Hoffman and Rinus van Alebeek. dnasnow/mouseup started in Barcelona through a chance meeting between Rinus van Alebeek and Zan Hoffman at the LEM-festival 2000, where the latter performed. I (= Rinus van Alebeek) was working on my book. Later on in the still fresh century the novel got censored for several political reasons. While this censorship marked the end of my official status as a writer, the encounter with Zan opened up a complete new era in my career.

The Death Sound started as a project between Alex and Matt in late summer of 2007. The canonical "birthday" of The Death Sound is August 24th, the first of three days of the Roman Mundus Patet, upon which the gate to the underworld was opened that the spirits of the sanctified dead might commune, dine, and celebrate with the living.

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