A Stranger Paradise

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Bórgia Ginz

Ansiamos a instituição da livre circulação e transmissão de objectos da criação intelectual abstracta. O Homem não é; o Homem é uma potência do que pode vir a ser. E nós ambicionamos o Homem-outro. Nós não nos baseamos nas velhas teorias. Nós não nos baseamos em nada. Construimos realidade. A nossa.



Joséphine Muller

De jour en jour le besoin s'impose d'avantage. Il ne se prête plus guère à une considération détachée. La stylistique appliquée n'est pas l'observation du réel.



Ian Linter

Non musika Excentrica IN! For electronikal renoise Key. Submit Random Science & reduction. Overflow cast Numar is for Den emon exp & la mort pour Vitas body convolution.



Juca Pimentel

Eu olho para Ti, e tenho medo, minha querida… Eu vejo-Te despida num sonho purpúreo e diabólico, e sinto nojo… e sinto vontade de vomitar, meu amor….


Radio schedule

Mon May 25 @22:00 - 11:59pm

Mon Jun 01 @22:00 - 11:59pm

Mon Jun 08 @22:00 - 11:59pm

Mon Jun 15 @22:00 - 11:59pm

Mon Jun 22 @22:00 - 11:59pm

OLoF NiNe - EXP1 - A Stranger Paradise
OLoF NiNe - Fuck, You're Dead - A Stranger Paradise


August 26st Last_Generale, Sèvres, France - the return of the 72 hour Paris open slot. It will also be the last event in La Generale en Manufacture.
Created in May 2009, "A Maïzing session with..." is a radio show broadcasted on the KKWNE webradio dedicated to live improvised music and organised at the Maïzing Studio in Paris, by Anton Mobin. The program is established according to the meeting of several artists who come on tour to Paris. In the first season (May 2009-May 2010), "A Maïzing session with..." was 13 radio shows with 22 international artists. The second season is on the same way...
After the release of "offb015 - Three solos", Ian Linter and Anton Mobin decide to continue the solo series. This time, four solos improvised live, successively by :such: (tape manipulation), Ian Linter (electronic manipulation), Rinus van Alebeek (tape manipulation) and Anton Mobin (tape manipulation).

dnasnow/mouseup are Zan Hoffman and Rinus van Alebeek. dnasnow/mouseup started in Barcelona through a chance meeting between Rinus van Alebeek and Zan Hoffman at the LEM-festival 2000, where the latter performed. I (= Rinus van Alebeek) was working on my book. Later on in the still fresh century the novel got censored for several political reasons. While this censorship marked the end of my official status as a writer, the encounter with Zan opened up a complete new era in my career.

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