A Stranger Paradise

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Bórgia Ginz

Ansiamos a instituição da livre circulação e transmissão de objectos da criação intelectual abstracta. O Homem não é; o Homem é uma potência do que pode vir a ser. E nós ambicionamos o Homem-outro. Nós não nos baseamos nas velhas teorias. Nós não nos baseamos em nada. Construimos realidade. A nossa.

astrangerparadise.com

 

Joséphine Muller

De jour en jour le besoin s'impose d'avantage. Il ne se prête plus guère à une considération détachée. La stylistique appliquée n'est pas l'observation du réel.

astrangerparadise.com/josephinemuller

 

Ian Linter

Non musika Excentrica IN! For electronikal renoise Key. Submit Random Science & reduction. Overflow cast Numar is for Den emon exp & la mort pour Vitas body convolution.

astrangerparadise.com/ianlinter

 

Juca Pimentel

Eu olho para Ti, e tenho medo, minha querida… Eu vejo-Te despida num sonho purpúreo e diabólico, e sinto nojo… e sinto vontade de vomitar, meu amor….

omnicorn.com/jp

Radio schedule

Tue Jul 16 @15:00 - 05:00pm
Free

Wed Jul 17 @15:00 - 05:00pm
Free

Thu Jul 18 @15:00 - 05:00pm
Free

Thu Jul 18 @20:00 - 08:59pm
O coleccionador de sons

Fri Jul 19 @15:00 - 05:00pm
Free

OLoF NiNe - Some Suicide - A Stranger Paradise
OLoF NiNe - Fuck, You're Dead - A Stranger Paradise

Newsletter

Larsp composes experimental electronic music. Larsp 's musical background started with classical music at the Conservatoire where he learnt the cello. In 2002. His first project under the name of PUPPET LE CURE, sounds like hard-techno vs. melodic orchestra, and an EP was signed by independent label CWK in 2002.

Night over in k. Ian Linter's Kuma structures. After almost twenty years of sound construction under such names as OLoF NiNe, ACT9, La Main Traumatique, Massacre Divino, Airf'Auga, etc, Ian Linter records the first album in his own name. Immediatism & electronics in synthetic moisture and mass-organic cadencies. All tracks, as usual, were recorded directly to hard-drive, minidisc, or cassette and expresses real time manipulation of diverse sound sources; no throughout-time creation, no multi-track composition.




Empathy Kills - Fade Out (The video)

by Joséphine Muller

length: 53:15

offbv001 An OFF/BRUMA release
Bruma side congenitus. Fade Out. Lion meet Stalker. Oragon.

Slutimids!! is Naal Stayn's (anab L, trendy store, KZSE, lipstandärd, perplexions, tattooed intestine, while coldblue…) side project, created in autumn 2005. It's a lab to experiment strange concrete shapes and squeak things without any Post Punk pression or Cold Wave stereotypes. An approach of Anti Wave to reach further steps on each new album.
IS KYA : Vütszen : Ian Linter

IS KYA Mounten For INTo the see of Namar dar. Naster timura et foal the fall into the sens sensor Martir.

Plasma : Digital : Ian Linter
Additive synthesis width massive amount of sine-wave oscillators.
La Main Traumatique : Joséphine Muller : Ian Linter

Après plusieurs expériences dans le domaine de la musique improvisée et minimaliste, Joséphine Müller s'embarque maintenant dans un projet de construction sonore à partir de l'univers électroacoustique, toujours en improvisation. L'idée est de réunir dans une pièce les sons concrets manipulés et une incarnation possible du "swing" jazziste. Pour cela, elle compte avec la collaboration de son compagnon sonore depuis plusieurs années Ian L., qui se dédie à la simple improvisation sur des objets ordinaires et guitare.
Le Mal D'Archive is a project at the turn of independent electronic and sound design that sees its distinctive feature in the intersection between two apparently irreconcilable worlds such as experimental music on the one hand and the "chanson" for the more harmonious and Matrix melodic heritage of Italian music on the other.

dnasnow/mouseup are Zan Hoffman and Rinus van Alebeek. dnasnow/mouseup started in Barcelona through a chance meeting between Rinus van Alebeek and Zan Hoffman at the LEM-festival 2000, where the latter performed. I (= Rinus van Alebeek) was working on my book. Later on in the still fresh century the novel got censored for several political reasons. While this censorship marked the end of my official status as a writer, the encounter with Zan opened up a complete new era in my career.

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