Peter 23 Hart & Ian Linter – En craie dans tons corps

1. Promenade (7:08)
2. L’émeute (6:07)
3. Chemin de contemplation (5:00)
4. Image limace (9:47)
5. Yeux Dieux (7:13)
6. Vivant invivable (4:04)
7. N’Existe pas (6:37)
8. Impossible… Normal (6:26)

Immédiatisme poétique en deux actes

Enregistré le 4 juin 2022 au Covil – Marseille

Peter 23 Hart

Les Paroles du Grand Gourou, projet de poésie improvisée, légèrement inspirée, pseudo-ésotérique. Un vaisseau spatial, un véhicule spacieux et chaud, les chuchotement de l’éternité, l’insistance de la pluie, la nuit qui fond comme la neige, tout et rien, tout et son contraire, le contraire, le contraire de la merde, éventuellement un peu d’or dedans, dans la merde du vivant, plus vivant que vous, tout est devenu plus vivant, tout est de la merde, tout est trop obscur, plus personne ne sait ce qui se passe, il y a surtout du silence.

Ian Linter

Abstrtact is con zer. Na perfidia assuma um.

A collection of tracks previously released on compilations.

1 – Vurn in Mir’Ias (5:02) – Classwar Karaoke – 0012 (2010)
2 – The Massive (8:19)- Classwar Karaoke – 0013 (2011)
3 – Kan on (7:51) – Le Colibri Nécrophile (2011)
4 – The Iruminan (5:36) – Classwar Karaoke – 0014 (2011)
5 – 1961 (5:02) – Dungeons & Riots – DR012 (2011)
6 – Dictators in Savannah (6:58) – Peak the Source Vol.1 – suRRism-Phonoethics (2011)
7 – Poraquê e Bacaba (8:02) – Head Full Of Music Vol. 1 – Kulturterrorismus (2011)
8 – Tinar Minus (7:17) – Classwar Karaoke – 0016 (2011)
9 – Nitumas morn (4:54) – Classwar Karaoke – 0017 (2012)
10 – In Leur queur (4:58) – Republica Iberica Ruidista – RIR027 (2014)

Peter Hart, Billy Guidoni & Ian Linter – Live à DATA

Rentrez chez vous (11:02)
Le vrai complot (7:11)
La jungle de l’oubli (5:36)
L’existence s’éclipse (8:16)

Enregistré à DATA médiathèque, Marseille, le 5 NOVEMBRE 2022.

Improvisation en trio avec Peter Hart, Billy Guidoni et Ian Linter.

Soirée intimiste de poésie et de brutalisme pour fêter la sortie des albums Les Rouages de l’Inconnaissance de Peter Hart et Billy Guidoni et En craie dans ton corps de Peter Hart & Ian Linter.

Peter Hart – voix, paroles
Billy Guidoni – batterie, percussions
Ian Linter – guitare, électroniques

offb032

Les Filles de Pute – Dark eyes don’t pink

Dark eyes don’t pink est le troisième album du trio Les Filles de Pute, avec Sarah Blow Jones (guitare trafiquée), Anna Karthëin (guitare affreuse/percussions) et Sandra Coelho (batterie, percussions), enregistré et produit par Ian Linter.

« C’est brut, c’est direct, et ça ne s’excuse pas. On l’a appelé du Cunt Rock parce que ça nous ressemblait : un peu sale, un peu classe, toujours humide. On voulait faire un album qui cogne, mais sans perdre notre fine ironie. Même dans l’ombre, y’a toujours une lumière… rose. »

Sandra Coelho

OFFB035

Les Filles de Pute – Soirée Bizarre

« Soirée Bizarre » est un album du trio Les Filles de Pute, avec Sarah Blow Jones (violoncelle, contrebasse, guitare), Anna Karthëin (piano trafiqué, contrebasse, percussions) et Sandra Coelho (batterie, percussions), enregistré et produit par Ian Linter.

OFFB033

Vendredi, 8 décembre 2023, à partir de 19h : Ian Linter : Anar Kam

Anar Kam

La suppression des débris de l’espace inter-électrodes est susceptible d’être toujours partielle. Ainsi, les propriétés électriques du diélectrique dans l’espace inter-électrodes peuvent être différentes de leurs valeurs nominales et peuvent même varier avec le temps. La distance inter-électrodes, appelée aussi l’interstice d’étincelle, est le résultat des algorithmes de contrôle de la machine spécifique utilisée. Le contrôle d’une telle distance est logiquement central dans ce processus. De plus, tout le courant entre le diélectrique n’est pas du type idéal : l’interstice d’étincelle peut être court-circuité par les débris. Cela est indésirable car un court-circuit contribue à l’élimination du matériau de manière différente de la situation idéale.

Ian Linter

Immédiatisme électro-organique dans des structures aléatoires en temps réel : OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, Plasma, RTP, La Main Traumatique avec Joséphine Muller, entre autres… Ian Linter tourne le troisième axe créé par Bórgia Ginz et reflété par Juca Pimentel.

produções Ganza
A Stranger Paradise

data

data est un lieu d’exposition et une salle de concert associative tournée vers les musiques expérimentales et improvisées, à Marseille. data est aussi une médiathèque musicale associative où les adhérents peuvent emprunter gratuitement parmi les quelques 3000 vinyles, 4000 CDs et 200 K7s de la collection. Si on voulait tout écouter, il faudrait au moins une bonne année pour écluser le fond, sans manger, ni dormir.

Data 44 rue des bons enfants Marseille

C-OmP Ars présente

SET UP #1
Dissections sonores

Nouveau rendez-vous régulier à Marseille, hébergé par La Fabulerie.

Au programme, différents créateurs sonores jouent live et expliquent leur set à travers des échanges avec le public. Analyses, expérimentations, jeu … dans un environnement ouvert et convivial.

Pourquoi ce rendez-vous ? On est souvent fasciné pendant un live par la diversité des sons que l’on entend, et contrairement aux instruments acoustiques, complètement paumé sur comment les gestes du musicien peuvent engendrer ces sons. Alors pourquoi pas démystifier cette situation, sans toutefois altérer notre émerveillement et nos émotions.

Pour le numéro #1 Set UP invite Ian Linter qui présentera sa Synthèse humide.

DISSECTION D’UN CADAVRE EXQUIS ÉLECTROÉLECTRONIQUE

Live – 30-45m
Synthèse humide.

Échange – 30m
La matière sonore immédiate comme forme de construction spontanée, sans avoir été imaginée. Le processus de feedback sensoriel et la réponse contrôlée par l’input. La création de « superstructures » virtuelles jouables en temps réel. La provocation de l’imprévu.

Play – 30-45m
Superstructure créatrice en mode aléatoire.

« Where is it ?

Le son est fréquence et l’immédiat est spontané.

Number.

L’Immédiatisme comme processus de feedback sensoriel et la réponse contrôlée par l’input.

3.

Intervenir c’est susciter de manière conditionnée. Le résultat de l’intervention est déterminé par le processus d’assimilation des fréquences (condition) générées par l’intervenant. L’intérêt est de susciter de manière complexe, à travers un processus organique, atteignant les fréquences de base et non structurelles ou systématisées, idéalisés, dans un point cérébral où l’organique teste le métaphysique et dans cette perspective le rétrécit jusqu’à ce que la matière brute apparaisse. L’émergence oblique de cette matière brute indique l’occurrence de l’intervention complexe, et surtout, sa nature.

Where is down ?

Une gorgée de lait dans une brasserie marseillaise correspond à un claquement de l’écorce carbonique d’un arbre synthétique : l’humanisation de la forme correspond toujours à une synthétisation de l’humanité (relation méta-matière et antiphysique).

1 – Le contenu carbonique est admis dans le cadre de la fluidité du concept synthétique dans la structure de l’écorce, et l’arbre entier sera la structure choisie pour évoluer dans sa qualité synthétique.

2 – La forme synthétique est transportée d’un lieu à l’autre par la locomotive (les retransmetteurs) qui n’est plus qu’une accumulation de la puissance de fabrication en vue de la préservation d’un certain contenu synthétique (la gorgée de lait est un film hors du temps transformé en extension sérielle d’un événement reproduit).

3 – La prolifération de l’occurrence reproductive (masses & contrôle pornographique) effectue une sédimentation carbonique dans le tissu organique, formant des greffes de capacité synthétique et annulant les impulsions organiques : l’organique est limité à la synthèse.

IV.

La création complexe a lieu à la périphérie de la limite carbonique. Elle conscientise le métaphysique pour qu’il renoue avec le physique qui a été carbonisé par le feu (arme psycho-formelle) de la sangsue synthétique.

Dans un tissu carbonique, la création est complexe lorsqu’on pisse dans la synthèse.

Where is for ? »

IAN LINTER

Immédiatisme électro-organique exprimé depuis le début des années 90 sur des anti-esthétiques telles que OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique (avec Joséphine Muller), Plasma, RTP, entre autres…

produções Ganza 1991-2022

24 novembre 19-22h
Entrée libre

La Fabulerie
10 Bd Garibaldi
13001 Marseille

une production C-OmP Ars

Set-UP-1-Ian-Linter

La Société de Curiosités, A Stranger Paradise and Classwar Karaoke present

Octaèdre Resonant

an octet in two movements for electro-acoustic instruments, guitars, bass, prepared chamber, effects pedals, machinery, electronics, tapes, monotron, goyamoog, kaossilator, objects

With Adrian Beentjes, Anton Mobin, Ayato, Colin Johnco, David Cunliffe, Hopek Quirin, Ian Linter, Murmurists, Thomas Fernier

Recorded Live at Les Voûtes – Paris – 21st April.

Concept by Ian Linter.

Produced by Ian Linter & Joséphine Muller.

Photos by Anton Mobin, Lysvia Maïz and Chloé B. Video by Chloé B.Special thanks to Eric Périer (La Société de Curiosités) and Remi Gros (Les Voûtes).
http://instantnet.wordpress.com
http://lesvoutes.org

Murmurists (Anthony Donovan) (uk)

Artist, musician, writer, composer, working solo as Murmurists. Improviser – with Vultures Quartet, Familiars, Donovan/Graham, and others. Member of Lux P0G0 and the.clinamen. Ardent collaborator. Co-founder of Classwar Karaoke with Jaan Patterson and Adrian Beentjes. Erstwhile academic. Born North West England; now Middle-England. Mid40s; moderately-healthy. Interests all either obscure or intentionally opaque, but morally authentic.

Fretless half-guitars, Goyamoog, Objects

http://murmurists.blogspot.com
http://vulturesquartet.com
http://classwarkaraoke.com

Adrian Beentjes (usa)

Born in 1973 in Philadelphia, USA. He lives with his family in the north-west England. Obsessed with sound​​, his passion draw upon the exploration of soundrecording, mixed / multi-media, performance and unrecordism. He leads the collective Classwar Karaoke with Anthony Donovan and Jaan Patterson and currently produces sound works under the project named Deadzoo.

Pickup, pickup coil, circuit bent toys, Field Recording, Microcassette, dc motors …

http://youtube.com/nadazipp
http://classwarkaraoke.com

Hopek Quirin (de)

Musician, objector, member of AADK, working with 6 or 7, abq, jochen arbeit’s soundscapes, classwar karaoke, madzaru etc.

Bass, Effekt pedals, Objects

http://myspace.com/hopekquirin
http://classwarkaraoke.com

Ian Linter (pt)

Electro-organic immediatism in any possible structure through a real-time feedback series of necessary events, expressed since the early 90’s on distinct anti-aesthetics with names like OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique with Joséphine Muller, Plasma, RTP, among others.

« Non musika Excentrica IN! For electronikal renoise Key. Submit Random Science & reduction. Overflow cast Numar is for Den emon exp & la mort pour Vitas body convolution. »

Electronics, ohmed guitar

http://astrangerparadise.com/ianlinter
http://astrangerparadise.com/offbruma
http://pganza.com

Anton Mobin (fr)

Radio producer, sound artist and improvisator. He develops an intuitive, energetic music and done wonders for the self-confidence by any elitist codes which the improvised music. Anton Mobin multiplies the meetings with numerous international artists on stage and during his home radio show « A Maïzing session with… » on the webradio KKWNE.
Curator of the Improvisator Network and of the label H.A.K. Lo-Fi Record.

Prepared Chamber, Microphones, Objects, Electronics

http://antonmobin.blogspot.com
http://maizingsessions.blogspot.com
http://h.a.k.free.fr

Ayato (fr)

Musician, guitarist, do-it-yourselfer, composer of a dense and complex high-jacking music. One of the most active members of the collective H.A.K with a considerable production published on the label H.A.K. Lo-Fi Record. Part  of  Crash  Duo,  Cluedo  Krew,  Polymagoo  Commando, Thanato Twist with  Oleg’s  Sound System. Ayato  also  develops  a  particular  dialogue  with  Image  during  live  soundtracks  and  with  the photographer Malik Nejmi.

Prepared Guitar, Objects, Cassettes

http://ayato-sn1984.blogspot.com
http://h.a.k.free.fr

Thomas Fernier (fr)

Musician, composer, working solo (Chevo Légé), in duo (Marteau Mu, tvlasunor & Thomas Fernier) Part of the collective of improvisation “ Supersoft [14-18] ” (label : Partycul System) and of “Poésie  Is  Not  Dead” (collective  of  improvised  sessions  with  poets,  musicians  and  video directors). Realisation of soundtracks for des bandes-son for the theater and the dance (Benoît Bradel, Tomeo Verges)

Prepared Guitar, jack

http://myspace.com/thomasfernier
http://myspace.com/chevolege

Colin Johnco (fr)

Musician  and  sound  designer  based  in  Paris,  France.  In  late  2006,  he  created  LEEP (Les Enregistrements de l’Europe Parisien) then CJC records, both independent net-labels favoring ambient and experimental electronic music. Colin Johnco is currently playing in different bands such as FareWell Poetry, DR(DR)ONE and Prison Food Sucks.

Closed analog circuit

http://colinjohnco.com

David Cunliffe (uk)

Mainly drummer/percussionist with long history of playing in a wide variety of groups. Also interested in writing and recording solo music Member of YMMV, an experimental / avant-garde project with Adrian Beentjes. Originally only drummer, he now plays  extending percussion/electronics/sequences and effects processing with some vocal elements. He appeared on the CWK series as a solo artist (Igorspacieuse blouse/coffin Boffin) and as a member of The ThudExperiment, « Turso iku ». Photography and cinema are his interests.

Percussion, Electronics, Contact Microphones, Vocal emissions

http://archive.org/details/BlankCanvasem153

Classwar Karaoke

Operated by Adrian Beentjes (usa-uk), Anthony Donovan (uk) and Jaan Patterson (de), Classwar Karaoke is based around a series of ongoing quarterly surveys. Each act contributes a piece of music or film, an image, and a piece of writing.

As a project, classwar karaoke is based around a series of ongoing, quarterly surveys, the first of which, dubbed ‘0001 survey’, was released in May 2008. Each survey is different – in terms of personnel, number of personnel, and in terms of theme. Participation is fairly open – so long as those interested in being involved work intelligently within the broad context of experimental music and do not seek to use the project as just another on-line shop-window for their material. So far, the inclusive nature of classwar karaoke has worked wonderfully-well in terms of quality of material. See and hear for yourself by checking out our internet archive pages. Indeed, the label itself was envisaged, from the very start, as an experiment in the positive power which inclusivity can have upon artworking if included in meaningful ways. That said, we reserve the right to maintain the quality of both the art which is offered and the community from which it comes. Our ambitions for the label do not stop at periodic on-line releases. In the short time it has been running, we have already had  one  classwar  karaoke  live  showcase;  which  featured  as  0005  survey.  More  events  are  planned. Similarly, physical releases – of CDRs and DVDs – are forthcoming.

All material remains the property of the respective artists and is offered for free download in line with this license. The nine surveys published so far feature almost one-hundred artists, from all over the world; and the material in toto represents significant documentation of the experimental scene itself. Involvement in the project has helped spawn many fruitful collaborations, live-shows and a vibrant exchange of ideas; so much so that, for several repeat-participants, Classwar Karaoke is as much a collective as it is a mechanism for the release of new material.

http://classwarkaraoke.com
http://myspace.com/classwarkaraoke
http://archive.org/details/classwar-karaoke
http://classwarkaraoke.bandcamp.com/
http://ilike.com/artist/classwar+karaoke
http://last.fm/label/CLASSWAR+KARAOKE
http://reverbnation.com/label/classwarkaraoke

La Société de Curiosités

Dans l’enjeu actuel d’un choix d’orientation culturelle collective à grande échelle vers la croyance ou bien vers l’intelligence, le projet Infact Paris/La Société de Curiosités, en engageant les pratiques de production et d’écoute dans des échanges plus divers et moins normés, emprunte des voies possibles. Il propose des façons de faire des nouveaux partages, d’autres configurations de places pour donner libre cours à des pratiques artistiques inhabituelles et transformer leur abord en une activité.

http://instantnet.wordpress.com

A Stranger Paradise

L’association A Stranger Paradise a été créée en 2009 et a comme objectif la création et la dynamisation culturelle sous toutes ses formes, dans une logique d’expérimentation multi-disciplinaire et d’échange.

http://astrangerparadise.com
http://pganza.com

Ian Linter – Epsilonia

This recording was made on the 9th February 2012, during the live improvisation for the cult French underground radio program Epsilonia (Squadra Lumaca division) at Radio Libertaire studios, Paris.

Special thanks to Joséphine Muller and to the Epsilonia team: Jérôme Florenville, Nicolas Marmin, Xavier Roux and Olivier Lebeau.

Original cover-photo by Nicolas Marmin.

Structure // Sampler N and generator 23 for chroma in multi domains, pad OFF multi, m-IN, effects Zoomer for bleed interference, controlled mic, ohmed guitar,ohmed voice, can 2d, can 4, can 9, controlled flute, screws 23# and zen#a, surfaces A – D

Ian Linter

Electro-organic immediatism in any possible structure through a real-time feedback series of necessary events expressed since the early 90’s on distinct anti-aesthetics with names like OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique with Joséphine Muller, Plasma, RTP, among others… Ian Linter turns the third axis created by Bórgia Ginz and mirrored by Juca Pimentel.

« Non musika Excentrica IN! For electronikal renoise Key. Submit Random Science & reduction. Overflow cast Numar is for Den emon exp & la mort pour Vitas body convolution. »

The consecration concert of Tina Blue and her Big Band, celebrated on the 31st of October 2011, a rare occasion for her fans spread all over the world to share the myth of this all-time exponent of the Big Band Jazz.

Alex Kimball & Ian Linter – Kathedrikos Maschine

A Live Transmission with Alex Kimball and Ian Linter applying abstractions from different locations: Little Rock, USA, and Paris, France. An absolute act of improvisation after the render Myth & recording passion for Lodovico Series 9. Recorded Saturday, number 26/11 in 2011.

Alex Kimball

« Really, The Death Sound started in 2007 when I was beginning to explore early industrial music. I had gotten a bug to look into older industrial music while I was going through a Numb kick. I am someone who likes to « go back to the beginning » of things, so to speak, study origins, so the logical starting place was Throbbing Gristle. I was fascinated by it; it was different, challenging, and like nothing you’d really hear called « industrial » today. I’d remembered my friend Matt from college did sequencer programing on a freeware program called Jeskola buzz. I called him up with the proposition of starting a project. The Death Sound was born. Our first recording was just an experiment with using sound editing software, chopping up samples. The result was « A Series of Tubular Bells », which was a joke track that we threw up on myspace until we had time to do anything better. That is, until Cosey Fanni Tuti sent us a message telling us she enjoyed our sound. Late 2007, we had a flurry of recording and put together the 5 or 6 track (depending on which version) Series of Tubular Bells EP, mostly Matt doing instrumentation and myself doing arrangement, composition and some vocals. By 2008, we had been making connections all over the world, and our sound was growing more diverse from the different influences. While we had discussed possibility of touring europe, plans never fully materialized (and we weren’t ready for live performances anyway). While we were making a small name for ourselves in the European scene, very few local shows developed and the reception was lukewarm. Summer of 2008 I arranged and recorded « Loneliness on the Psychic Seas » largely by myself, but building on Matt’s instrumentation. Around this time, I was also doing a number of collaborations with artists from around the world (OLoF NiNe, Tarsus, Arte Sacra Atelier, and several with both Finger Painted Death and Glitchgore) under the name The Death Sound, though these were largely a solo affair. Late summer, we finally scrounged some mediocre gigs to try to promote a compilation of odds and ends « Nothing But a Nightmare » and our band’s one year birthday. This would lead to the retrospective album TDS: « Year One », a compilation of our first two EPs and the full live set from our « birthday » gig, on OFF/BRUMA, a Portugese net label. TDS: « Year One » was intended to be a milestone from which we would launch ourselves forward, and still remains in heavy rotation on underground internet radio, however nothing is as we intend. We played « Easy Street » not long after our birthday show, which proved to be our most successful show. The live album from that night would be the Death Sound’s last full length release. We had intended to begin work on a follow up to Year One, which was to be titled « All Part of Nature’s Plan », however in early 2009 only a few tracks were finished. The birth of Matt’s daughter was a happy occasion, but it meant that he no longer had the time to devote to musical projects that he once did. I found myself playing for the Kill Crazies, a punk band spun off of the band we had played our last show with, which is a story unto itself. Essentially, the Death Sound went on Hiatus. The brief re-emergence of the Death Sound last year had a lot to do with Dakuu, Stillborn Diz, Fuck Your Scene Vol 2, and the breakup of Medicide. I discovered and absolutely fell in love with Stillborn Diz, who ended up on Fuck Your Scene Vol 2. Through Stillborn Diz, I’d heard of a band called 13th Moon; a member of 13th Moon had put out a free Japanese goth compilation called « Plan X From the Eastern Dark ». I checked it out because it had Darkside Mirrors on it (whom I adore). Masahide from Dakuu, a band on that compilation, saw I was familiar with his music from Plan X, and checked out what I was doing with FYS and The Death Sound. -Masahide-san and I talked about the possibility of putting something out on Retro Virus Records. In the end, we decided to include the Death Sound, Stillborn Diz, and Finger Painted Death. Very long and complicated, I know! This gave Matt and I the perfect excuse and opportunity to dust off what we had been working on before our hiatus. While « All Part of Nature’s Plan » will almost certainly never see the light of day, the 5 tracks on Mundus Patet are representative of what the album might have been like, as we were moving away from our harsher sounds to a more moody and melodic style. »

// Keyboard, flanger, phaser, delay, gristleizer//

http://retrovirusrecords.com

Ian Linter

Electro-organic immediatism in any possible structure through a real-time feedback series of necessary events: OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique with Joséphine Muller, Plasma, RTP… Ian Linter turns the third axis created by Bórgia Ginz and mirrored by Juca Pimentel.

« Non musika Excentrica IN! For electronikal renoise Key. Submit Random Science & reduction. Overflow cast Numar is for Den emon exp & la mort pour Vitas body convolution. »

// Sampler Z and generator 14 for chroma in multi domains, pad OFF multi, effects Zoomer, controlled mic, ohmed guitar, ohmed voice, pG guitar, surfaces M – Z //

http://astrangerparadise.com/ianlinter

3 live acts by the collective CLASSWAR KARAOKE !

classwarkaraoke.com

……………………………………….

MURMURISTS (uk)

Demi guitare fretless, Goyamoog, Objets
murmurists.blogspot.com/
vulturesquartet.com

HOPEK QUIRIN (de)

Basse, Effets, Objets

DAVID CUNLIFFE (uk)

Percussion, Electronics, Contact Microphones, Vocal emissions
archive.org/details/BlankCanvasem153

THOMAS FERNIER (fr)

Guitare préparée, jack
myspace.com/thomasfernier
myspace.com/chevolege

……………………………………….

ADRIAN BEENTJES (usa)

Tête de lecture, Coil pickup, Circuit bent toys, Field recording, Microcassette, dc motors…
youtube.com/nadazipp

COLIN JOHNCO (fr)

Circuit analogique fermé
colinjohnco.com/
blackbyzance.tumblr.com/

ANTON MOBIN (fr)

Chambre préparée, Microphones, Objets
antonmobin.blogspot.com/
h.a.k.free.fr/

AYATO (fr)

Guitare préparée, Objets, Cassettes
ayato-sn1984.blogspot.com/
h.a.k.free.fr/

……………………………………….

JOSEPHINE MULLER (fr)

astrangerparadise.com/josephinemuller
off-bruma.net/

IAN LINTER (pt)

astrangerparadise.com/ianlinter
pganza.com/
off-bruma.net/

—————————————

classwarkaraoke.com
myspace.com/classwarkaraoke
archive.org/details/classwar-karaoke
classwarkaraoke.bandcamp.com/
ilike.com/artist/classwar+karaoke
last.fm/label/CLASSWAR+KARAOKE
reverbnation.com/label/classwarkaraoke

EPSILONIA 09.02.2012
UNPEDIGREED MUSICS SINCE 1986

IAN LINTER (PT)

Live

Immédiatisme électro-organique dans n’importe quelle structure, exprimé depuis le début des années 90 par des anti-esthétiques distinctes comme OLoF NiNe, ACT9, Airf’Auga, La Main Traumatique avec Joséphine Muller, Plasma, RTP, IS KYA, Massacre Divino parmi d’autres…

« Non musika Excentrica IN! For electronikal renoise Key. Submit Random Science & reduction. Overflow cast Numar is for Den emon exp & la mort pour Vitas body convolution. »

L’équipe Epsilonia Squadra Lumaca:
Nicolas Marmin, Jérôme Florenville, Xavier Roux, Olivier Lebeau.

————-

EPSILONIA EN FM : PARIS et RP :
89.4 FM

PLAYLISTES, INFOS, ETC.
http://epsilonia-radio.blogspot.com

EPSILONIA Live VIDEO
http://www.youtube.com/user/EPSILONIARADIO

EPSILONIA is re-broadcasted on Mondays @ AStrangerParadise
http://astrangerparadise.com/strange-frequencies-radio

multiEmission @ Strange Frequencies Channel

Anton Mobin & Juca Pimentel

Live at Le Placard Festival, Sèvres 2011.

Anton Mobin : http://antonmobin.blogspot.com
Juca Pimentel : http://astrangerparadise.com/juca-pimentel

Strange Frequencies Channel
Live Transmission by Anthony Donovan & Ian Linter
Monday: 21st: November : 19h00 (gmt+1) Paris time

A Live Transmission with Anthony Donovan and Ian Linter applying abstractions from different locations: United Kingdom and France. An absolute act of improvisation after the render Myth & recording passion for Lodovico Series 9. Begin at 19h00 (gmt+1) and progression for 60 almost rotations/brain measure. Monday, number 21/11.

Anthony Donovan (Murmurists)

Artist, musician, writer, composer, working solo as Murmurists. Improviser – with Vultures Quartet, Donovan/Graham, and others. Member of Lux P0G0 and the.clinamen. Ardent collaborator. Co-founder of Classwar Karaoke. Erstwhile academic. Born North West England; now Middle-England. Mid40s; moderately-healthy. Interests all either obscure or intentionally opaque, but morally authentic.

// Zither – with contact mic and guitar pick-up, homemade light-sensitive analogue synthesiser (made by Adrian Beentjes), digital synthesiser, 4 string electric bass, 6 string acoustic guitar, loop station, digital delay, analague flanger, digital multi-effects, distortion, mini-amp/speaker with contact mic, electric toothbrush, electric fan, cello bow, objects, balloons, radio, microphone, walkie-talkie (x 2), glass slide, crocodile clips //

http://murmurists.blogspot.com

Ian Linter

Electro-organic immediatism in any possible structure through a real-time feedback series of necessary events: OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique with Joséphine Muller, Plasma, RTP… Ian Linter turns the third axis created by Bórgia Ginz and mirrored by Juca Pimentel.

“Non musika Excentrica IN! For electronikal renoise Key. Submit Random Science & reduction. Overflow cast Numar is for Den emon exp & la mort pour Vitas body convolution.”

// Sampler N and generator 23 for chroma in multi domains, pad OFF multi, effects Zoomer for bleed interference, controlled mic, ohmed guitar, pG guitar, can 2d, can 4, can 9, ohmed flute, screws 23# and zen#a, meta-Artaud, surfaces A – D //

http://astrangerparadise.com/ianlinter

multiEmission @ Strange Frequencies Channel

« The initial results of the testing show that the patients were responsive to the regimens of treatment provided, however it soon became apparent that any signs of recovery were entirely illusory at best. Remission of symptoms were promptly followed by extreme palpitations of the heart, what the patient described as ‘painful synesthesia’, and finally a tightening of the chest similar to those experienced during an asthma attack. No patients lived longer than 24 hours following the initial procedure. In this, we claim a small degree of success. »

Recorded live in the studio April 5th, 2011
Sid Sickness – Synthesizers
Alex Death – Bass Guitar

Dedicated to Heather Drain. Medicide would like to thank those who have believed in the clinical trials, given us practice space, gigs and couches to crash on. Rx2011. »

Le Placard Headphone Festival

August 26st Last_Generale, Sèvres, France – the return of the 72 hour Paris open slot. It will also be the last event in La Generale en Manufacture. Le Placard started in 1998 in Paris, France. At that time finding venues for alternative music was difficult, and police raids on unlicensed events were frequent. So instead Erik Minkkinen organised a headphone party in his small apartment, called ‘placard’ after the French word for ‘cupboard’.

Since then this concept has grown to an international streaming festival, with tens of cities providing listening rooms for local and remote performances. Placard has formed part of the Mutek, Transmediale, Garage and Pixelache festivals. The event in Paris has itself grown into an institution, running for 72 hours straight where the audience sleep with their headphones on, still listening.

With:

xo54, c_c_c_c, Jeunesse Interlope Football Club, Vanessa Paradigme, Emmanuelle Gibello + Erin Sexton, Etienne Brunet, e_rebus, Frédéric Maintenant, Planetaldol, Stefaan Quix, spinzero, drone à clochettes, Toutils, the gerries, Julie Rousse, Lost Forgotten, Jean Bender, 10Konekt, cdrikcroll, ITSY AS EVIL, Cogne et Foutre, Fashion Garage Concerto, inc + guests & ghosts, Talk City, EDEN SUICIDE RESORT, usr/sbin, hiroyuki, Forgotten Beat, StruKtur, grinning, DongleDoc, LDB Armstrong & Die Karlheil Gruppe, Anton Mobin & Juca Pimentel, CASSE GUEULE, Extrasystole, Juca Pimentel, JOACHIM MONTESSUIS, ANTON MOBIN, Stefaan Quix, VEhF, David Fenech, Nicolas Carras, La Main Traumatique (Ian Linter + |Joséphine Muller|), B.I.A.S, Erik Minkkinen , VODKA+MEAT (BOLUS+MONTESSUIS), OLoF NiNe (Ian Linter), MaCu, Yro, hiroyuki, Jean Foutre Cogne Bender, eddie135, Luckyr, Jack_ledevehat, Christine Webster, Kikiilimikilii, KGP trio, The pRésidents, feu machin, Avril Wipago/Alexandre Bellenger/Fred Marty, CASSE GUEULE, dan.digital, Zreen Toyz, MessHerpe, hiroyuki, STE-EXPERIENCES. Gargouillax, Erik Zann, Berangere Maximin & Colin Johnco

Complete Placard here:
http://leplacard.org/2011/Last_Generale/

Naal Stayn

Naal Stayn is the man behind many names and many bands like KZSE, Tattooed intestine, Melanome, Trendy Store, Lipstandärd and just mentioning a few… 78’s, altered playing, après-garde, blind recording, bore-friendly, claustrophone, complex-minded, concrete folk, de-music, de-taught, do it myself, err-hazer, far listening, hybrid wave, isolated live, krautsynth, leftwave, lo-psychedelic, maximalism, mental synth, multicraft, no-fi, one-off releases, otherground, overdubbed underdubs, own listening, prepared accidents, proto fünke, re-taught, self sufficiently, sexophobic claps, shield recording, sober sophistication, solitarium, sorrow garden, stream of unconsciousness, uncareering, unsync devices. You can check his one-off & self-produced discography under licence of Self Sufficient Records.

http://self-sufficientrecords.blogspot.com
http://myspace.com/naalstayn
http://myspace.com/trendystore1983

Empathy Kills (aka |Joséphine Muller|)

|Joséphine Muller| has been creating metamorphic video-sound fields under different names like Sex on Saturday, Empathy Kills, Abnot Kraz, or La Main Traumatique. Improvised and minimalist electronic manipulations or electro acoustic abstractions, these are some manifestations of this OFF/BRUMA netlabel and ASP association co-founder.

http://astrangerparadise.com/josephinemuller
http://astrangerparadise.com

MaCu (aka Susanne Hafenscher)

MaCu is the project of the Austrian musician Susanne Hafenscher. She started her musically activities with studying piano and vocals. After a certain period without doing any music she began to play guitar. Soon MaCu started to experiment with prepared guitar and to generate music by using field recordings and processed sounds of objects and vocals. She has an extensive discography and composition collaborations released by some of the finest netlabels, and recently she co-founded the netlabel kultur[Terrorismus].

http://macu1.wordpress.com
http://kulturterrorismus.de

Anton Mobin

Anton Mobin is a concrete music composer & radio producer addict of field recordings. Co-curator of the collective H.A.K. and curator of the Improvisators Network. Objects manipulator & improvisator experienced due to several meeting with international artists which one of the most important was certainly with Rinus van Alebeek in Berlin. Always in search for new articulations between objects, manipulations, and interaction with his own body. A crack, a fold, a brightness, a jolt in the plan of the sound, a convexity of surface…

Dreams face downward

Performed live by Anton Mobin at the ASP studios Paris on December 22th, 2010.
Recorded in multi-channel by |Ian Linter| for OFF/BRUMA.

Prepared Chamber. This chamber is a home-made acoustic instrument prepared by Anton Mobin and composed with a large box in wood, upgraded with several springs and others metallic found objects selected for their capacity to create melody. The box is divided into three parts among which each is covered with a different surface (a wood, a metal and a plastic one). Three different contact-microphones are placed in suspension under these surfaces: bass contact for the wood, medium contact for the metal and high contact for the plastic surface. Deliberate accidents produced in the Prepared Chamber create a micro universe which I dread in an intuitive way to resound as the pling plong music. Prepared chamber & Objects manipulated by Anton Mobin in an acoustic mode with effects application and treatments in real time by |Ian Linter|. Each of the 3 microphones were plugged and recorded in a separated track with different processing and equalization on each of them.

http://antonmobin.blogspot.com
http://h.a.k.free.fr

Alrucini (aka Albedo Rubedo Citrinitas Nigredo)

Ricardo Alrucini is the entity behind names like Alrucini, Shamahan, Bad Slap Org, Ombilic, Umbra, Apocalipse Político, and many others. They are Ritualistic Dada manipulations and Industrial Surrealisms transformations in exponential relation with the Moon’s shadow. Alrucini is underground. His extensive discography can be heard at Electro Rucini, the label he founded in 2007.

http://alrucini.blogspot.com
http://obraemalrucini.blogspot.com
http://archive.org/details/electro-rucini

OLoF NiNe (aka |Ian Linter|)

The idea is to have no idea, just frequencies. Metamorphic industrial/immediatism/sensorial. Application controlled for the moment in the superior axis of the Immediate.

http://omnicorn.com/olofnine
http://myspace.com/olofnine

Juan Antonio Nieto (aka Pangea)

Juan Antonio Nieto is a sound artist who signs some of his works under the name of Pangea. His records have been published in labels around the world as Trente Oiseaux, Mandorla, Experimedia, Impulsive Habitat, Idiosyncratics, TestTube AMP, among others. Pangea has collaborated with some of the most prestigious avant-garde artists of the world, Brazilian classical composer Leo Alves Vieira working with string quartets and choirs, the Japanese author Kenji Siratori who has voiced his compositions and David Velez, this latter release was considered the best album of 2007 by the journal Earlabs. His music has been included in art installations in the Circulo de Bellas Artes de Madrid and the Cultural Center of Spain in Buenos Aires. Pangea has performed in various European and American cities.

http://pangea-juanantonionieto.blogspot.com
http://myspace.com/juanantonionieto

Ian Linter

Ian Linter is an original member of the Portuguese underground collective produções Ganza, co-founder of OFF/BRUMA netlabel, and also many others sonic entities like the non-stop webradio Strange Frequencies Channel, under the label ASP. His creations are electro-organic immediatism in any possible structure through a real-time feedback series of necessary events, and have been expressed since the early 90’s on distinct anti-aesthetics with names like OLoF NiNe, ACT9, Airf’Auga, Massacre Divino, La Main Traumatique with Joséphine Muller, Plasma, RTP, among others… Ian Linter turns the third axis created by Bórgia Ginz and mirrored by Juca Pimentel.

http://astrangerparadise.com/ianlinter
http://astrangerparadise.com/strange-frequencies-radio
http://pganza.com

OFF/BRUMA would like to thank all the beautiful dreamers who gave substance to this album.

Luís Antero’s latest project named Out Level consists of a laptop, electric prepared guitar or field recordings. Having had 7 releases in several netlabels around the world, it is a project composed of many sounds from one lone man. Luís is originally from a small village at the foot of the Serra da Estrela Mountain range in Portugal where his musical influences fuse with his philosophical views as well as literary references.

« To discover Out Level is undoubtely an experience. More enjoyable for ones, less for otherones, all this sound universe touch us in the way as it interwines all a variety of aesthetic languages, that walk from a sight more close to indie and shoegazze, to all a universe of field recordings and idm, with a close contact to the new tendries of all the electronic music of germain alternative circuits […] » Tiago Morgado | XS Records

« O projecto Out Level nasceu da vontade de experimentar… de improvisar, tendo os livros, o cinema e a fotografia como cenários primordiais para a criação musical, a que se juntou mais tarde o universo da fonografia. O objectivo (se é que existe) é criar ambientes que consigam projectar o ouvinte para lá do mero exercício de ouvir música… Quase tudo é gravado ao primeiro take, partindo de uma velha premissa que Kerouac usava em relação à escrita. Só assim se deixa na música o momento…

Discografia

Delay – Guitar Solo # 4 (biodata, 2010)
Strange Sounds Could Make a Man Happy (Just not Normal, 2010))
10 (prepared guitar solo live) (Electro Rucini, 2010))
Merzbau EP Guitar Solo (MiMi, 2009))
sx guitar ep (Test Tube, 2009))
Guitar Solo # 2 (EdP, 2009))
PrEgUiZzA (Electro Rucini, 2008))
Water Recordings (Bypass, 2008))
Estrela EP (XS Records, 2008))
K – EP (edição de autor, 2008))
Espaço (I)Limitado – Ao Vivo na Zero (Merzbau, 2007))
The Bedroom Sessions, Vol. 1 (Merzbau, 2006)

Author: Out Level (PT)

Home production: February 2011
Original photo: Out Level / Artwork: OFF/BRUMA

David Fenech + Jac Berrocal
Bernardo Devlin
La Main Traumatique

10 Juin 2011
aux Instants Chavirés

David Fenech + Jac Berrocal
Bernardo Devlin
La Main Traumatique

aux Instants Chavirés
7, rue Richard-Lenoir / 93100 Montreuil
Métro Robespierre, ligne 9

10 Juin 2011
20h30

Une nuit exceptionnelle avec la présence de deux références de la musique nouvelle en France. David Fenech et Jac Berrocal en duo, ou la croisée de l’improvisation, du free jazz, du punk, de la poésie sonore…

Du Portugal et pour la première fois en solo en France, Bernardo Devlin, auteur acclamé, compositeur, chanteur et performeur, ou une précision d’orfèvre dans un monde déstabilisant, instable et exquis.

D’un univers parallèle entre le free jazz et la musique concrète, La Main Traumatique (Joséphine Muller et Ian Linter), ou l’immédiatisme complexe de l’invention électronique et électro-acoustique.

Un événement avec le meilleur de la musique improvisée, du free jazz, de la musique électronique et de la chanson, sur une scène habituée à recevoir les plus notables noms de la musique contemporaine. A ne pas manquer.

David Fenech et Jac Berrocal (fr)

DAVID FENECH est un musicien parisien, guitariste, chanteur, improvisateur. Il a enregistré et joué avec des musiciens aussi divers que Felix Kubin, Jad Fair, Tom Cora, Andrea Parkins, Steve Arguelles, James Plotkin, Gino Robair, Ramona Cordova, Shugo Tokumaru, Ghedalia Tazartes, Klimperei, Ergo Phizmiz et de nombreux autres… Récemment, il a sorti l’album Polochon Battle (sur le label inPolysons), travaillé à l’IRCAM, enregistré une pièce de musique concrète à l’INA GRM, composé des musiques pour le théatre et pour le cinéma, construit de petits robots musicaux, enregistré un horspiel pour Radio France… Récemment, il a organisé une série d’enregistrements publics avec des invités aussi divers que Rhys Chatham, Bérangère Maximin, Claude Parle, Sébastien Roux, Dominique Grimaud. Il prépare en ce moment son troisième album solo (une longue pièce de 45mn) et un nouvel album devrait également sortir courant 2011 en trio avec JacBerrocal et Ghédalia Tazartès.

http://davidfenech.fr

JAC BERROCAL est un trompettiste, chanteur et performeur incontournable, à la croisée du free jazz, du punk et de la poésie sonore. Son style à fleur de peau, à la fois tendre et violent est inimitable et imprévisible. Il a joué avec des musiciens exceptionnels… la liste est longue. Parmis eux : Pascal Comelade, Jaki Liebezeit (Can), Sunny Murray, Jacques Thollot, James Chance, Nurse With Wound, Daunik Lazro, Chris Cutler, Yvette Horner, Messagero Killer Boy (le groupe du cinéaste F.J Ossang), Aki Onda, Pierre Bastien, Lol Coxhill, Jeanne Moreau… Récemment, on l’a entendu sur le dernier disque de Christophe (« aimer ce que nous sommes », avec Isabelle Adjani) ou lors du dernier festival Sonic Protest avec Catalogue (en compagnie de Jean François Pauvros et Gilbert Altman). Il est aussi connu pour le fameux morceau « Rock and Roll Station » enregistré en compagnie du légendaire Vince Taylor. Son nouvel album solo sortira en 2011.

http://myspace.com/jacquesberrocal

Bernardo Devlin (pt)

BERNARDO DEVLIN est un compositeur, chanteur et un performeur portugais. Il a fondé le groupe Osso Exótico avec David Maranha, André Maranha et  António Forte, avec qui il a enregistré les deux premiers albums. Il devient un auteur acclamé avec quatre albums solo édités qualifiés de véritables cristaux noirs et enchantés d’une orchestration déstabilisante, instable et acérée. Sa voix a été décrite comme étant quelque part entre le romantisme sombre de Scott Walker et le ton symphonique de Peter Hammill. Récemment il a sorti l’album Ágio en solo, et a joué et enregistré avec Andrew Poppy et Wilson Tsang entre autres. Il développe aussi une intense activité autour de la musique pour le théâtre et pour le cinéma. Une nouvelle sortie est prévue pour cette année.

http://bernardodevlin.com

La Main Traumatique (fr)

LA MAIN TRAUMATIQUE est un duo de “jazz concret” intégrant signes contemporains manipulés électroniquement et improvisations électro-acoustiques formé en 2008 par JOSEPHINE MULLER (Empathy Kills, Sex on Saturday, Abnot Kraz) et IAN LINTER (OLoF NiNe, Airf’Auga, Massacre Divino, ACT9, RTP).  Deux intenses activistes de la création immédiatiste avec plusieurs albums édités, toujours avec des esthétiques différentes

http://astrangerparadise.com/lamaintraumatique
Instants Chavirés

7, rue Richard-Lenoir / 93100 Montreuil

Tarif: 12€

A Stranger Paradise

MULTISSESIONS « recycled and found objets »

With:

JKP
RINUS VAN ALEBEEK
IAN LINTER
ANTON MOBIN

SAMEDI 30 OCTOBRE 2010

Vladislav Buben, well known under the name Buben, is a sound artist and an imminent pioneer of the underground scene in Bielorussia. The connexion between Buben and Anton Mobin was established by Rinus van Alebeek a few months ago, when Rinus asks Anton a technical help to digitalize sounds from a tape which was used by Buben to compose the great album released on Clinical Archive

After this technical support, Buben naturally asks Anton if he have some sounds to send him to start a new collaboration. Of course, Anton Mobin had sounds and he is always interested in new connexions and web collaborations. Sharing sounds with Buben was very spontaneous; Anton picked up in his sound bank many different textures, like extracts from Live improvisations, radio fragments, Field recordings and everyday life moments.

The real and unique composer still being Buben, in this release!

Listeners must know that nothing in Creation is an easy thing and to complicate the story the first version of this collaboration was killed by Buben’s laptop, which hard disk has burned!!

The revenge was terrible and it’s not one album, but two albums that Buben recorded in two completely different aesthetic!!
One influenced by « darkbeat » and the second more « experimental »…

Thanks to Just Not Normal and OFF/BRUMA, the two releases are OUT simultaneously on December 7th, 2010!

Please visit the both websites, to have a complete vision on the project called: « On the Different Side of the Objects ».

http://off-bruma.net
http://justnotnormal.wordpress.com

Anton Mobin

Four solos improvised live for Anton Mobin’s « A Maïzing session with… » radio show, broadcasted on the KKWNE webradio, successively by :such: (tape manipulation), Ian Linter (electronic manipulation), Rinus van Alebeek (tape manipulation) and Anton Mobin (tape manipulation).

:SUCH:

The first meeting with :such: was during the Estafette Rue Cassette in Paris in June 2010. :such: plays an heavy and dense ambient with a fine meditative touch. He played on two prepared tape desks by the great Doctor AxDelbor of the collective H.A.K.
:such: is also co-curator of the label SDZ Records and animator of the Crudités radio show.

http://sdzrecords.free.fr
http://crudites.free.fr

IAN LINTER

Ian Linter is an original member of the Portuguese underground collective produções Ganza, co-founder of OFF/BRUMA netlabel, and also many other sonic entities, like the non-stop webradio Strange Frequencies Channel, under the ASP label. He records under several names but always in different aesthetics, like OLoF NiNe, ACT9, Airf’Auga or La Main Traumatique with Joséphine Muller, among others…
His creations are electro-organic immediatism in any possible structure, through a real-time feedback series of necessary events…

http://astrangerparadise.com/ianlinter
http://astrangerparadise.com/strange-frequencies-radio
http://pganza.com

RINUS VAN ALEBEEK

Rinus is an imminent member of the Berliner underground scene. Musician, curator, writer, cassetteur, he plays with Angie Yeowell, De Drones with Raoul Haarmannero, Diktat, Jeudi Pop among many other collaborations. He’s also co-animator of the radio show “Radio On” with Adrian Shephard. Also, note that OFF/BRUMA was pleased to release offb007 dnasnow/mouseup – 7 with Zan Hoffman, in 2008.
Last but not the least, Rinus van Alabeek is the curator and producer of Staaltape, the cassette division of the famous Staalplaat label.

ANTON MOBIN

Concrete music composer & radio producer addict of field recordings.
Co-curator of the collective H.A.K. and curator of the Improvisators Network.
Objects manipulator & improvisator experienced due to several meeting with international artists which one of the most important was certainly with Rinus van Alebeek in Berlin.
Always in search for new articulations between objects, manipulations, and interaction with his own body. A crack, a fold, a brightness, a jolt in the plan of the sound, a convexity of surface…

http://h.a.k.free.fr
http://antonmobin.blogspot.com
http://arteradio.com

Date: July 21th, 2010

Mystahr – Ian Linter – Anton Mobin

For the passage of Mystahr in Paris, Ian Linter and Anton Mobin decide to join their forces to organize several sonic events to celebrate this occasion. Each artist is in contact on the web since a long time, but never had the opportunity to meet together. That’s done on July 21th, 2010 at the Maïzing Studio in Paris, where these three friends set up their complete gear to a special two hours radio show!

The Maïzing session was divided in two different parts:

First, each artist present a solo set around twenty minutes, which is the better solution for everyone to discover the sound of each other. Then, all three join for the real Maïzing session of 40 minutes, when each of the three sound universes collapses in a singular one.

After the session, Mystahr and Ian Linter, decided to release the two different parts : Three solos on OFF/BRUMA and the collective improv’ on Just Not Normal.

JNN103 – A Maïzing session with…
OFFB015 – Three solos

Please, visit both websites which offer you to hear the whole journey!

La Main Traumatique live for Placard Hamburg. Joséphine Muller & Ian Linter.

KHEOSTATIC – Joséphine Muller & Ian Linter

Composed improvisation, in three acts.

KHEOSTATIC is an improvised play with a total duration of about three hours trying in an encyclopaedic way to make a sound transcription of several elements which constitute the human reality, in its language, intellectuality and action. In this second part the sound degeneration completes a cycle semi-controlled by electronic fragments with a double precision: the chaos does not exist, the chaos is Human. The three KHEOSTATIC‘s parts were live recorded at La Société de Curiosités, Paris.

KHEOSTATIC – Joséphine Muller & Ian Linter

Improvisation composée, en trois actes.

KHEOSTATIC est une pièce improvisée d’une durée totale de près de trois heures cherchant de façon encyclopédique à effectuer une transcription sonore de plusieurs éléments qui constituent la réalité humaine, dans son langage, intellectualité et action. Dans cette seconde partie la dégénération sonore complète un cycle semi-contrôlé par des éclats électroniques de double précision : le chaos n’existe pas, le chaos est Humain. Les trois parties de KHEOSTATIC ont été enregistrées en direct à La Société de Curiosités, Paris.

KHEOSTATIC – Joséphine Muller & Ian Linter

Improvisação composta, em três actos.

KHEOSTATIC é uma peça improvisada com duração total de cerca de três horas, na qual se procura de forma enciclopédica efectuar uma transcrição sonora de vários elementos que constituem a realidade humana, na sua linguagem, intelectualidade e acção. Nesta segunda parte a degeneração sonora completa um ciclo caótico semi-controlado por estilhaços electrónicos e de precisão dupla: o caos não existe, o caos é Humano. As três partes de KHEOSTATIC foram gravadas ao vivo na Société de Curiosités, Paris.